Digital Age Workers and Jobs of the Future – Part 2

Education is More Important than Ever to Prepare for Future Jobs

Continuing from Monday’s post:

Jeremy Rifkin, American economic and social theorist, presents the argument that an emerging zero-marginal-cost sharing economy will make itself felt most strongly in the labour market, where “new employment opportunities lie in the collaborative commons in fields that tend to be nonprofit and strengthen social infrastructure — education, health care, aiding the poor, environmental restoration, child care and care for the elderly, the promotion of the arts and recreation.” (The Sunday Review, March 15, 2014 and on CBC Ideas.

 

In this new economy, the youngest generations at last emerge to take the upper hand. They who have been weaned on digital communication technology and the new social practices that accompany it will be best suited to navigate this new economic and social reality.

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They who have been weaned on digital communication technology and the new social practices that accompany it will be best suited to navigate this new economic and social reality.

 

Rifkin argues that the first impact of the “Third Industrial Revolution” will be a massive “rollout of hardware buildout” to accommodate digitization and new renewable energy sources. Overlaid and subsequent to this forty year transformation of our physical plant, the vast majority of jobs in the new automated world will manifest in the growing social economy, including education and welfare.

 

The trick is to facilitate the change. Despite doubts about the challenges of supporting and realizing this global transformation and ensuring its truly democratic impacts expressed by Bob Rae, Anita McGahen and Janice Stein on the CBC Ideas panel, the alternative, the status quo, looks grim.

 

All of these changes make possible a better, laterally integrated, democratized society that enables a liberation of human potential unprecedented in human history. Toward this end, new jobs will universally depend upon education. The question remains: who will get it?

 

It’s been argued that the steadily rising cost of education, combined with increasingly scarce financial aid for students, is taking a professional, or even a basic undergraduate degree, beyond the reach of the working poor, and even the middle class.

 

Returning to the question of competition for education and jobs, it’s been argued that the steadily rising cost of education, combined with increasingly scarce financial aid for students, is taking a professional, or even a basic undergraduate degree, beyond the reach of the working poor, and even the middle class.

 

While competing for advanced education becomes more challenging due to rising costs and competition, education alone is not enough to guarantee success.

 

Students of today, and young workers, must be conscious of how technology is changing the very fabric of our world, and therefore influencing the shape of the job market in the near and distant future. Making wise and fruitful educational choices depends upon being able to see into the future and to strategize accordingly. They may intuit and take for granted the new world they live in, including technology and the new sharing economy, but they will do better to understand how it works, how it differs from the world of the past, and their place within it.

 

Students of today, and young workers, must be conscious of how technology is changing the very fabric of our world, and therefore influencing the shape of the job market in the near and distant future.

 

As baby boomers prepare for retirement, it is important that they also consider the legacy they leave behind. They must not turn their backs on a world that is increasingly difficult to understand. Rather they must ask: Are the youth who will replace them prepared to function, run and thrive in the society that is emerging in their wake? And what can be done now, while they are still in positions of power and influence, to ensure that the next generation will succeed?

 

Mary Ann Clark Scott, formerly an architect and environmental gerontologist, currently works as an education savings advisor, a novelist, corporate storyteller and freelance writer.

Digital Age Workers and Jobs of the Future – Part 1

file000898499863Digital Age Workers and Jobs of the Future

 

As a mother and aunt of a few young digital-age millennials, I often ponder the particular challenges these emerging adults face in our overwhelming and rapidly changing world, and how they will fare in the future.

 

In the last century, post-war changes to society, including wider access to education, industrialization, a growth economy, the sexual revolution, and changing social values tended to have a flattening effect on social hierarchies and increase opportunities for advancement and success. The world we now live in is very different.

 

“Canada’s economy is built on a simple but deeply entrenched belief: that every new generation will do better than the one before it.” MacLeans Magazine

 

Personal observations lead me to agree with Jason Kirby’s opinion back in 2009 that the above may no longer be true. The reality for today’s youth is increasingly the opposite. Costs of living are higher, incomes lower and debt even greater than they have been in previous decades.

 

Young graduates have a much harder time getting established than did previous generations.

 

Economic recessions combined with competition for jobs with established and as-ever numerically advantaged baby boomers, as well as a rapidly evolving, technologically changing job market, mean that young graduates have a much harder time getting established than did previous generations.

 

Evidence that today’s young adults suffer from anxiety and depression in unprecedented numbers, as well as often cited statistics about late launchers and boomerang kids, support this notion.

 

The January 24th issue of The Economist included a pair of articles pointing to “America’s New Aristocracy” and “An Hereditary Meritocracy”  which reveal that America’s founding principal of equal opportunity for advancement and success is being undermined by systemic filtering.

 

Wealthy, educated and powerful couples tend to beget more of the same, and both educational and career advantages, from cradle to college, accrue to the children of the existing elite, meaning that opportunities for success are slipping away from the rest.

 

The amount of recent political dialogue about the fate of the “middle class” and ensuing debates about how to define this term shine a light on the growing struggle average Canadians have to survive and thrive.

 

There seems to be general consensus that the “middle class” is growing, and the gap between the middle class and the privileged elite is widening.

 

While it’s no surprise that politicians are free with this term, even economists who insist on statistical definitions do not agree. Despite this, there seems to be general consensus that the “middle class” is growing, and the gap between the middle class and the privileged elite is widening.

 

This phenomenon in part explains the widespread growth in income disparity. “[An] OECD report shows Canada is near the top of the heap in terms of both growth in income disparity over the past three decades and in absolute terms.” http://www.macleans.ca/economy/business/canadian-income-disparity-growing/

 

Add another ingredient to the mix: the changing nature of our economy in terms of both the types of jobs that are emerging (and disappearing) and the emergent alternate economy that social media and the internet have spawned.

 

Jeremy Rifkin, American economic and social theorist, presents the argument that an emerging zero-marginal-cost sharing economy will make itself felt most strongly in the labour market, where “new employment opportunities lie in the collaborative commons in fields that tend to be nonprofit and strengthen social infrastructure — education, health care, aiding the poor, environmental restoration, child care and care for the elderly, the promotion of the arts and recreation.” (The Sunday Review, March 15, 2014 and on CBC Ideas.

To be continued July 1, 2015…

Mary Ann Clark Scott, formerly an architect and environmental gerontologist, currently works as an education savings advisor, a novelist, corporate storyteller and freelance writer.

Dare I Do NaNoWriMo?

COMMITMENT PHOBIA

crest-bda7b7a6e1b57bb9fb8ce9772b8faafbRight off the top, National Novel Writing Month sounds like a really bad idea for a person as commitment phobic as me.

For readers who aren’t familiar, NaNoWriMo is “National Novel Writing Month, shortened as NaNoWriMo (na-noh-ry-moh), … “an annual internet-based creative writing project that takes place every November. NaNoWriMo challenges participants to write 50,000 words of a new novel between November 1 and 30.” For more information read the rest of the Wikipedia definition here, or go to the NaNoWriMo site.

But since my writing’s been totally off the rails for quite awhile now, what with dealing with getting my house ready for the market, suffering from unexpected chronic pain and disability, dealing with the consequenses of menopause-induced brain fog (more on that in a later post,) shooting off exploring screenwriting, film-making and other, largely unrelated employment opportunities over the last couple of years, I’m thinking this might, in a counterintuitive sort of way, be A GOOD THING, as Martha says.

writing, handwriting

 

 

 

 

 

A bit of focus, you know?

NOTHING TO LOSE

Well before anyone starts shouting, ‘Hell Yeah, go for it!!’ I’ll just say I’ve already registered. I’ve never had trouble cranking out words before, but then again I’ve never committed to writing 50,000 new words in a month. But since my buddies at the RWA-GVC are doing it en masse, I figure I’ll jump on the coffee-trolley and see what happens. The worst case scenario is that I write no more than I’ve been writing lately, which is a big fat ZERO. Absolutely nothing to lose, right? My situation can’t get any worse, and the beauty of NaNoWriMo is, there really aren’t any consequences. (Except shame.)

PLANNING THE NOVEL BEFORE I BEGIN

The problem now is, I’m definitely NOT a “pantser” as we say in the biz. In other words I’m not one of those writers who can just sit down at the computer and start banging out words without any concern for what the novel is about or where it’s going. (The very thought of it makes me catatonic!). Which means that I have to decide WHAT I’m going to spend the month of November writing and do a little preparation. And since everything I’m working on (in a figurative, if not a literal sense) is either in revision, nearly complete, or a screenplay, I’m not sure what to choose.

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Option A: To take my rough, incomplete outline for an interactive STEAMPUNK novel about a time-travelling jeweller and write through just one storyline. (Basically the interactive novel requires three “forks” in the story, something like gaming narrative, or “Choose Your Own Adventure” stories, where the reader makes a decision for the protagonist about where the story goes next, requiring a total of 12 different endings for the same storym, making it rather complicated.) But since I’m somewhat stuck on that, it makes me nervous. On the other hand…

 

Option B: To take the seed of an idea for one of my future novels and just go for it. Some of these are a bit better thought through than others. Whichever one I choose would fit into a potential “series” with one of my already completed novels. The possibilities include:

downtown eastside lane, b&w imagea) a story about an ambitious and uptight lawyer trying to rise above her family’s shame and a passionately dedicated social worker dealing with kids on the street, and greedy developers and corrupt city officials interfering with approvals for construction of a youth shelter, who teaches her to take risks, let down her hair and believe in causes again.

red car, crashedb) a story about a vain, hardened lawyer with a secret past whose glamourous life is shattered along with her face and her pelvis in a serious car accident, and who must rebuild herself inside and out while working through physiotherapy, with the help of a selfless contractor whose estranged wife’s street life as an addict doesn’t make his job as a father any easier.

Italian villa on a lakec) a story about an Art History doctoral student doing thesis research in Florence who meets an Italian architect and gets drawn into his shabby-chic aristocratic family’s troubles, deciding to help them keep their run-down ancestral villa out of the clutches of a crazy-rich egomaniacal American rock star who wants to renovate it beyond recognition and destroy centuries of cultural history in the process.

Okay so that’s it. Tough choice, eh?

If you read this and want to vote, leave a comment and tell me which story you think I should write for NaNoWriMo and give me a couple of reasons why (or not). Depending on public opinion, it might make it easier for me to choose. And wish me luck. Thanks!

The Cut Direct

WHERE HAS BUSINESS ETIQUETTE GONE?

 

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BY-GONE DAYS

 

Those of you who read Regency fiction will know what this term means: The cut direct. For those that don’t, it refers to the social snub, a complete diss. Which was done very rarely only under extreme circumstances when a person was in the wrong place at the wrong time or behaving in an inappropriate way for their social class or the setting, or importantly was known to have done something shocking or socially unacceptable. It was extreme and it was noteworthy and it was a shocking cut down.

 

It was not done simply because you were too busy or self-important or didn’t like someone. Despite the accentuated social hierarchy in Regency England, people in those days understood that every person was worthy of acknowledgment regardless of their place. Whether a servant, a merchant or a member of the nobility, everyone had an appropriate address and everyone was acknowledged. It was ungentlemanly and unkind to treat people badly or to just simply ignore them. Not that there were not social boors then as now.

 

Which brings me to my reason for my blog post today which admittedly is a bit of a rant. This is been bothering me for sometime now.

 

Be Nice or LeaveFALLING STANDARDS

 

In the last couple of years, I’ve had occasion to apply for employment or to make inquiries with a number of business people. And I’m frankly still shocked at the lack of appropriate business etiquette that seems to be the norm in today’s world.

I sometimes wonder if it it’s a problem unique to the younger generation but I hope that that’s not the case and I would rather not believe that.

 

Although if it is a demographic phenomenon I can only assume that the current generation have learned their bad habits or failed to learn good habits from their parents, teachers and mentors. Perhaps we simply forgot to pass along what we understood and took for granted.

 

Free-Vector-3d-Social-Media-Icons-Pack-2012-New-Twitter-StumbleUpon-PinterestANOTHER CASUALTY OF THE ELECTRONIC AGE?

 

Alternatively, and more likely, this can perhaps be explained by our sudden global immersion into an age of electronic communication. Early on (The 80s and 90s?) there was some kerfuffle about lack of etiquette in email communications and people talked about that and took the time to critique and to pass along what they felt were important guidelines for appropriate behavior.

 

Now of course we have Facebook and Twitter and Instragram and LinkedIn. All these new, abbreviated forms of communication added to our options for and to further confuse our standards of appropriate social congress.

 

But things have clearly gotten out of hand.

 

Standards of behavior and modes of communication that might arguably be appropriate for some of the new social media platforms should not therefore translate into our person-to-person, face-to-face interactions. I should say that this does not apply to follows, friends and likes. But I’ll leave advice about what’s appropriate on those platforms to the social media experts.

 

telephone and keyboard in officeA SOCIAL OBLIGATION

 

It used to be and not so very long ago that if you phoned someone and left a message they were socially obligated to return your phone call. It didn’t matter if they were busy or if they didn’t want to talk to you or even if they didn’t like you. The onus was on them and it reflected poorly on them if they simply ignored your message. The same went for written communications and invitations, which clearly extends into the world of e-mail. It maybe electronic but it’s still mail.

 

If you’re very busy and very important… It’s likely you have staff and one of their responsibilities is to take care of your correspondence. Note the word correspondence: the CO and the RE meaning that it involves two parties and it’s reciprocal.

 

Sadly we live in an era of spam. We are all of us bombarded with email spam, with advertising, with telephone solicitations of every kind. All of them intrusions into our privacy (you remember privacy don’t you?) And the stuff of course must be ignored and should be ignored but that’s another rant.

 

But I’m talking about our personal one-to-one communications. The kind that impacts on our daily lives and our livelihood. I realize that sometimes it’s difficult to tell the difference between one and the other. It’s my belief that we need to assume that a person who’s contacting us with their own name has a good reason to do so, is doing their job and pursuing some worthy goal and deserves to be acknowledged respectfully and politely. Until proven otherwise.

 

trash behind mesh fence

FINISH WHAT YOU START

 

Furthermore if you initiate communication with a person or persons and then someone responds to that you owe them the courtesy of a reply. If you post a job and receive responses to that in the appropriate mode and manner then the onus is on you and it is appropriate business etiquette to acknowledge and reply to those responses. It is just plain rude to ignore them.

 

No matter how busy or important you are you owe those people the respect of an acknowledgment. Very likely you have staff whose job it is to do exactly that. It’s up to you to say thank you for responding and then let people know if the position is been filled or if their application is unsuitable. They’re worthy of that. Has our new, electronic age of communication so depersonalized our exchanges with other human beings that we can now without compunction treat them like trash?

 

Everyone’s time is valuable. If someone made the effort to find your notice, to prepare materials, and to submit them, how can you imagine that it’s alright to just ignore them? Is that how you treat your clients? Is that how you want to be treated? Let’s remember the golden rule people. We’re supposed to be living in a civilized society.

 

It reflects very poorly on you and on your business and business practices. This applies equally in personal and social situations. And yet regretfully it seems to be the new norm.

 

What about you? Have you received “the cut direct”? How did it make you feel? Did it change your opinion of that person or company? If you agree with me, how do you think we, as a society, can address this failing? Create courses for students to teach social and business etiquette? Leave a comment and let me know what you think.

 

Fire in the Belly

Every once in a while I read a book, see a movie, or gaze on a work of art that just rocks my world and reminds me why I’m alive and who I am.

The Firebird book cover, Susanna Kearsley author, CONVERGENCE

I had one of those moments recently while reading Susanna Kearsley’s latest novel, The Firebird. Something about the convergence of art, history, love and war, connection, and mysterious paranormal phenomena that hint at the unknowable potential of the human mind and our place in the universe, as well as Susanna’s beautifully rendered prose and expert storytelling create that experience for me – like a punch in the gut. Or, more like a flaring of that fire in the belly that drives me to create.

HUMANITY

Something resonates to remind me  what I care about, what I believe I’m capable of and why I have always had a persistent, unexplainable desire to create something that reflects upon our fundamental humanity and resonates and connects. A reminder of our common humanity, and something deeper and more mysterious about our interior lives as opposed to our day to day existence which is in so many ways petty and superficial, and raises us up above the banal, pragmatic aspect of our existence. I think this is why art, architecture, music and literature and in some way history, which removes us from the particular and reminds us or gives us some perspective on the general human condition, has this effect on me.

Still image from short animated film "more"MORE

This line of thinking reminded me of a powerful, award winning, academy-nominated short animated film that I saw when I was doing an intensive screenwriting course at the Vancouver Film School, called “More” made by filmmaker Mark Osborne in 1998.

I wanted to share it, and I managed to find it and link it here. Although the ending is ironic, I can’t help relating to this poor idealistic schmuck and his burning desire to create something “more”, something beautiful that clearly everyone in his dull, monochromatic world desires. And despite the ending, I can’t help believing if more humans acted on that urge, the cumulative effect would render the world an even more colourful, blissful place.

 

Do you know what I’m talking about? Do you have that feeling? What are the things that inspire you and make the fire in your belly flare?

The Town Mouse and the Country Mouse

After seven long weeks in a small rural island community over the summer, the past week was spent on a quick return trip to the city, ostensibly to attend a friend’s wedding, but also to take care of a hectic round of shopping and errands in preparation for the start of the school year. The experience was so overwhelmingly busy and exhausting that I didn’t even open my laptop, let alone have time to sit and write a blog post. I did have a few ideas, but they were swept from my head as quickly as they settled there (thus the dead air space here.)

 

Illustration of The Town Mouse and The Country Mouse

TOWN MOUSE VERSUS COUNTRY MOUSE

The one idea that has stayed with me throughout is the contrasts, naturally enough, between city and country living, which brought to mind the moral tale of Aesop’s fable, The Town Mouse and the Country Mouse. For those that need a quick refresher, in the original fable, a sophisticated city mouse visits his friend/cousin in the country and partakes of a rustic meal, which is not to his taste. Boastful of the benefits of urban living, he invites his country cousin to the city to enjoy its opulent pleasures, and once there, their sumptuous meal is interrupted by dogs, who give chase. Escaping, the country mouse returns home, concluding that he prefers the peace and security of the country to the stresses of the city. After the past week, I can surely relate.

 

CITY LIFE

My first foray into academic specialization was in fact as an urbanist – I studied urban geography and sociology as an undergraduate. As such, I studied the origin of cities and towns, their patterns of growth, land uses, and the behavior and artifacts of urban dwellers. Clearly it is no surprise that people first came together to live in numbers, and behind walls, for reasons of safety (a reason which is not so true of today’s cities) and of course to conduct commerce (more true than ever), and I suppose for society, although that perhaps was an offshoot of the cities themselves. The more people and activity there was in cities, the more needs for goods and services emerged, as well as the maintenance of infrastructure, and so of course cities also became the place one went in search of employment. Not surprisingly, my undergraduate studies corresponded with my early twenties, and a move from a smaller city to a large city with a university, and a stage of life that was stimulus-seeking. The city had great appeal, both in theoretical and in real senses. I think that the city really is the environment best suited to the stretching, shaping and testing of young minds, not unlike the tempering of iron on a hot forge.

 

Map of Old Florence

Map of Old Florence

DIVERSITY AND CULTURE

As cities emerged, with large concentrations of people, they came to represent not only population density, but population diversity (for of course people came from far and wide, and cities have always been magnets for immigration, where newcomers to a country can always find like-others to support them and their transition to a new place.) People brought with them their various ways, including skills, food, language, music, religions, costumes and culture. And so anyone living in a city was much more likely to be exposed to this diversity and its corresponding excitement as well as the cross-fertilization that results. Large numbers and varieties of people living together and conducting business also leads to new experiences that we associate with urban living today: fine dining, great shopping and the arts (music, theatre, galleries, museums, educational opportunities, culture, and of course the political life that urban living of necessity engenders). These things become objects and industries in themselves which are self-perpetuating, leading to the kinds of innovation that we associate with cities.

 

GROWING OLD ALONE

Skipping over a career as an architect, the next opportunity I had to think deeply about city life versus country life came in my iteration as a Gerontologist, during which time I had the chance to design and teach a graduate class in Rural Aging. Despite decades of urbanization, there are and will always be some people who live in rural and agrarian settings. And eventually these people grow old and frail. In brief, the two principal challenges of growing old in a rural setting are transportation and isolation. For these reasons, housing options for older people are better when they are clustered and closer to services and supports. Around the same time I was inspired by some of research being done by some Dutch colleagues that involved surveying and layered mapping (via GPS) of self-selecting (by choice or default) aging populations in city neighbourhoods, appropriate housing, services, and nodes and pathways, both concrete and imagined. I was unsuccessful at that time in securing funding to replicate that research in a Canadian context, but I was a great believer at that time that growing older in a supportive community-integrated (as opposed to a segregated designed institutional) setting was the way to go. I guess I still do.

 

Super Mom illustrationSUPER-MOM, ANYONE?

The two roles I’ve adopted since those days that affect my views on urban versus rural living are important ones: that of parent and of writer. Interestingly, in retrospect (as I now have a teenager) I think raising children in a rural or small town setting makes much more sense. Not only is it less expensive, but the two aspects of parenting in the city that loomed large in my experience were Programming and Chauffeuring, both of which are related to the real and perceived risks (as well as the real or perceived opportunities) of modern urban living. Both of which suck up a great deal of time, energy and resources. And despite the enviable way that some mythical parents seem to do their job, my life never afforded the time, energy or inclination to partake of those benefits of the city, such as fine dining, fashionable shopping or engaging in arts and culture, for myself or my child.

 

For me, as I think it does for most, family life revolved around mac and cheese and chicken fingers, soccer and piano lessons, and suburban mall outlets like Gap, Old Navy and The Bay, from which a never-ending succession of shorts and shoes and socks in larger and larger sizes must be procured. The few times my husband and I attempted to hang on to our previous, child-free, yuppie lifestyle, by finding and paying for an expensive babysitter and attending the symphony or theatre, and going to a nice restaurant, we invariably talked wistfully about our son all evening and fell asleep halfway through the performance. Why not just embrace the fact of your stage of life and make it easier on everyone? Forget about fashion, fine dining and fine art for a few years and give yourself a break. Let the kids climb trees and run barefoot in a field, let them have rabbits, and don’t even think about the spit up or spaghetti sauce on your smock. Everyone will be much happier and healthier, trust me.

 

George Bernard Shaw and his writing shack

George Bernard Shaw in his writing shack

PEACE AND SOLITUDE

As a writer, of course there are some benefits to urban living, such as education, support groups and writers’ conferences, but really most of these benefits can be realized on-line these days, and in fact most of them are (except conferences, but then why not take a trip once or twice a year?) The things that busy urban life do NOT provide very well are peace and solitude: two things that writers need in large measure. This is likely why writers have traditionally taken retreats, or rented seaside cottages or secluded cabins in the woods. So they can actually get the writing done!

As we head into the last week of summer vacation, and I’m back in the country, I almost dread the ultimate return to the city for the start of the school year. This summer hasn’t been a very productive one for me as a writer (other than blogging), as there have been other, more pressing issues, such as my health, to deal with. But still I can imagine how much I could get done if only I could stay. I can almost see myself going for solitary rural walks, watching the trees turn colours overhead, and breathing the bracing fresh country air as I prepare for long fall days bent over the computer, fire crackling, funneling my creative energy into my writing and editing.

image of an old typewriter in a meadow

ASIDE: In my meanderings I found this lovely essay by Tom Hanks in the NYT Sunday Review about his love and obsession with typewriters. Read it and smile, and tell me you don’t want to run out and buy an old typewriter.

BALANCING THE BEST OF BOTH WORLDS?

Instead, I’ll be heading back to the hectic, highly scheduled, socially demanding, time-gobbling, over-stimulating urban environment that always seems to act in opposition to those things that best serve my writing. Peace and solitude. I’m wondering if there is a way to have the best of both. Of somehow enjoying the best that the city has to offer, and still hanging on to the lifestyle that nurtures and supports my energy, my health and my writing. As I grow older, I think that there may in fact be benefits to growing older in the country. At a certain age we have accumulated enough experiences, have tempered our inner steel sufficiently, and have tired of the stimulation. In other words, we’ve been there, done that. Now it’s time for rest and reflection. Attributes that serve the writer well. But of course, one cannot reflect upon that which one has not experienced. So a time for every season, as they say.

 

Being a late bloomer in so many ways, by the time I have the freedom to retire to the country to pursue the quiet, solitary lifestyle of a (rural) writer, I’ll be too old and feeble to drive a car or carry my groceries, and then I’ll have to start looking for a supportive urban neighbourhood to make my elder years tolerable.

So what are you? A town mouse or a country mouse, and why? What stage of life are you in and what about your environment makes that better or worse? And finally, do you own a typewriter?