RECONCILABLE DIFFERENCES BOOK LAUNCH

2978305256_6041f65aa6IT’S PARTY TIME!

Reconcilable Differences Book Launch

The timing couldn’t be better for Tuesday’s Women’s Fiction online FaceBook Book Launch Party hosted by the Women’s Fiction Writer’s Association.

 

I’m thrilled to be one of eight authors with new releases scheduled to participate on the WFWA Facebook page on Tuesday, August 16th **Noon – 4pm EDT** (That’s 9am – 1pm PDT for us West Coasters!)

Here’s the line up:

12:00 Kerry Lonsdale – Everything We Keep

12:30 Ella Joy Olsen – Root, Petal, Thorn

1:00 Tracy Stopler – The Ropes That Bind

1:30 Crystal Klimavicz – This Side of Perfect

2:00 Susan Schild – Sweet Carolina Morning

2:30 Kathy Nickerson – Rose Hill Cottage

3:00 Louise Miller – The City Baker’s Guide to Country Living

And at 3:30 Yours truly, answering questions and talking about my debut release – Reconcilable Differences. I hope you’ll come and join in the conversation.

 

via GIPHY

ANOTHER HALF A YEAR OF PREPARATION

 

After a roller coaster ride of preparation, setbacks and leaps forward during the first half of 2016, I’m excited to have this book ready for release this week.

 

My last post focused on my experimental Kindle Scout campaign. To sum up that experience, I learned a lot, worked like mad to get the word out, using a few platforms I hadn’t before, such as Headtalker and networking through Kindleboards, but sadly it wasn’t nearly enough to garner a publishing deal with Amazon.

 

A lot of speculation goes on behind the scenes trying to figure out what works and what doesn’t. Only Amazon knows. But clearly having a pre-existing following, or a book with a hook, will help to generate popularity, which in the end does matter. Nevertheless it was a valuable experience that will help with the marketing of Reconcilable Differences now and in the future.

 

PUBLISHING IS MORE THAN WRITING

 

via GIPHY

So much more has happened this year. I received critique and beta reader feedback, which let to a penultimate round of revisions. More than I was planning to do, but I think it’s a better book for having taken the extra time and effort.

 

I also embarked on the process of having a professionally designed cover. After a couple of false starts, and a few wasted month faffing around, I connected with the talented Gabrielle Prendergast, author of Audacious and other YA novels, and also brilliant book cover designer. I’m so happy with my new cover for Reconcilable Differences and the style and theme of the entire Having It All series of WF novels. It makes me want to get cracking and finish the second in the series, Coming About.

 

I’m also so lucky to have in my circle of supportive writers the multi-talented Crystal Stranaghan and her team at Crystal Clear Solutions designing the book interior. The print book will be ready to go in just a couple more weeks and it’s going to be gorgeous!

 

AUTHORPRENEURSHIP 101

 

This business of being a published author is complicated. These days, no matter how you publish, you have to embrace the role of entrepreneur as well. Even big house published authors are expected to create and maintain an online author profile, and stay active on various social media sites to connect with their audience. Then there is the multitude of book marketing strategies that experts recommend. And without these efforts, your book languishes out there in the ether with millions of other undiscovered titles, making all those years of learning your craft and sweating over the creation of your babies pointless as you’ll never sell any books or have any readers.

 

So in addition to getting my book ready, I’ve been trying to get organized with all these other things. I had an online author profile evaluation, and read some books and a lot of articles. To keep all this straight I created a Mindmap, that I thought would help me visualize and keep track of all the elements. All it did was help me see that I can’t possibly learn and do all these things: website clean up and redesign, email list sign up, Facebook author page, Amazon author page, Goodreads author page, incentives and bonuses, contests and giveaways, reader discussion questions, bios and blurbs, book trailers and author interviews, etcetera, and linking all these things and my social media addresses together so they all work in tandem.

 

Are we having fun yet?EPIPHANY

 

Finally I realized that I don’t have to! I mean if you can do it yourself, go ahead. But for me, it was getting so onerous and stressful that my brain was seizing up. There are so many smart and talented people out there who already know how to do these things that I struggle with. So my big epiphany this last while is that I need help! And in just a couple of weeks I’ve managed to move so much farther and faster with assistance from the right people, including the savvy Amanda Hagarty at Mandy’s Media who’s already been a huge help. And I’m getting there. I really feel that I’m getting there.

 

BECOME A PART OF MY TEAM

 

So let’s not let all this author platform work go to waste! Join my street team by doing one or more of these things right now:

  • Follow me on Goodreads, Facebook, Twitter, Pinterest or Instagram, or all of them? Why not? (Click on the buttons in the sidebar)
  • Sign up for my email list to stay informed about my activities and never miss hearing about giveaways, contests, appearances, promotions and new releases. (Hint: the form is in the sidebar to the right)
  • Follow my blog so you receive notice on Friday to pick up the Amazon link and buy a copy of my book. Then leave a review on Amazon and Goodreads.
  • Share this link with three of your bookish friends!

Are You An Over-Educated Word Snob?

Long Complex Words Make Readers Think You Are A Snob or A Fake

 

education for bloggers

 

Today I listened to the ProBlogger podcast PB052: 10 Writing Tips to Help You Sound More Human, here. You can go there later to listen to the whole thing, but stay with me for a bit to think about this one idea.

 

Banner Logo/Picture of Darren Rouse, ProBlogger

ProBlogger Darren Rouse

 

It’s full of great advice from “Beth Dunn, Product Editor-in-Chief at HubSpot. In [this] podcast episode, Beth shares really practical tips and strategies you can use for helping you sound more human in the way you write your blog content.”

 

Overall I found this very helpful for someone like me that’s still (perpetually – um, I mean always) struggling to figure out how to blog, and blog well. All of these tips are intended to build your brand through managing how your readers perceive (see) you.

 

use simpler, shorter words

 

But there was one tip that I really related to, and that was #2: Convey that you’re honest. How? Beth suggests that the way to do this is to use simpler, shorter words, which go a long way to making you sound more trustworthy. Moreover, using long, complex words takes more brain power both to read and to understand. This “cognitive burden” as ProBlogger host Darren Rouse suggests, takes more time and energy, neither of which your readers – that is my readers – you – have to spare.

 

Let me tell you a story

 

But first I have to confess that, as a child, I was a really annoying little prig. I didn’t know this at the time, of course. But with my blue eyes, and blonde ringlets, my Pollyanna notions and goody-two-shoes righteousness, I must have been obnoxious. I was one of those kids who didn’t like dirt, noise, old people, other kids—especially boys, sharing my things, not getting my own way, or my food touching. Yeah, like that.

 

blond schoolgirl in uniform

Not me – but you get the idea

 

 

I can remember a time, about grade four maybe, when some kid in the back of class pitched a rubber eraser at some girl’s head and made her cry, and no one would fess up. Classic scenario. The poor beleaguered (er, I mean long-suffering) nuns (yes, I know, Catholic school *eye roll*) decided to haul each and every kid in the class down to the principal’s office, one at a time, trying to intimidate (scare?) a confession out of someone, anyone, by threatening the strap.

 

By the time my turn came, my stiff little back was up and those nuns didn’t stand a chance. I strode in there and announced (in my undoubtedly squeaky, righteous little girl voice): “I didn’t do anything wrong and you have NO RIGHT to strap me!” They smiled and thanked me (probably laughing into their wimples) and sent me back to class. Presumably that’s what happened to everyone else too, but in my arrogant little mind, it was the way I’d handled it. I’d told them!

 

 

I was a word-nerd from the start, and because I loved words, ideas, books and learning, of course I loved school. That right there was enough to make me unpopular.

 

 

I wasn’t unpopular, though. Not really. I wasn’t Miss Congeniality, but I always had friends. And I didn’t mind be the teacher’s pet. I wasn’t mean or rude or a snob. I was polite to everyone and never stepped out of bounds, so my nose was squeaky clean.

 

 

How to win friends and influence people:

act dumb[er]?

 

 

When I was nine years old, we moved to a new, faraway neighborhood. For about a year and a half, I bussed into town to the same school. But after a while, I got to know some local kids and decided I wanted to go to the local elementary school. Now picture grade six.

 

Grade six group photo 1970's

NOT my Grade 6 class photo, but gosh it could be! Right down to the teacher Mr. Now.

 

 

It was a pretty hip school, with open areas and blended grades and other new-agey ideas from the 1970’s that probably had merit, but didn’t amount to much teaching and learning. Coming from my strict Catholic school culture, I was light years ahead academically.

 

 

apparently, I used really big words

 

the intellectual snob

 

 

And, apparently, I used really big words. My new classmates were quick to point this out, and to ridicule me relentlessly (um, non-stop) for it. It hurt. After all, I was just being my genuinely priggish little self. I wasn’t a snob or trying to lord it over them. Just using my “god-given” talents.

 

 

Think about it for a sec. If you ask someone like Malcolm Gladwell or educator and author of The Element Ken Robinson they’ll tell you that it’s the combination of a spark of talent, a lot of passion and a thousand hours of practice that create success. So if you take someone like, I don’t know, Keith Richards say, who’s spent his long, long, long life playing the guitar and singing, you’d expect him to be pretty good at it. You wouldn’t say to him that he should pull his punches so he doesn’t look like a snob, or like he’s trying too hard. Would you?

 

 Keith Richards performing

 

 

Back to my story. Wishing to be at least somewhat popular, I quickly adapted to this new hostile environment by dumbing down my language. I used simpler, shorter words, learned to speak some kind of regular kid vernacular (slang?), and spiced things up with vulgar swear words to be safe. I still speak a little like this, though I do know how to write “proper English.”

 

 

Later on in life, I thought I’d probably short-changed myself. With more support, maybe I could have taken that edge and turned it into future opportunities: scholarships, better jobs, an earlier start to my writing career, maybe. Who knows?

 

 

I’m not saying you can’t communicate intelligent ideas with simple words. But the English language has so many. It just seems like such a waste. What do you think? If this is true, and apparently it is, where can a person put a good education use?

 

 

I promised myself that I would never again be untrue to myself. I would never pretend to be something that I was not. And I would never sell my own strengths and talents short. And if people didn’t like it, well, too bad for them. That was who I was.

 

 

And now they’re telling me I have to exchange my hard-earned vocabulary for a simpler, more reader-friendly one in order to appear honest and trustworthy. My inner prig is pouting.
pink flamingo flock acting snobby

 

 

I want to throw a party for other disadvantaged over-educated intellectual snobs so everyone can show off their language mastery and toss as many big words around as they like. It would be very exclusive. No wait, that sounds like a university faculty party full of boring and pretentious boors. Bad idea.

 

 

Tell me what you think. Were you every ridiculed for being too good at something? Do you prefer to read blog posts and articles that use simple shorter words rather than stretching your knowledge of the English language and keeping the bar high? I look forward to hearing your opinion.

 

 

 

 

 

Too Funny and True NOT to Share

Febreeze my house by Kristen Lamb

 

 

 

 

 

 

 

I have a few as-yet unwritten blogposts to start the year off, but I couldn’t resist reblogging this latest post from Kristen Lamb, who knows us (writers) too well. So many of the comments just add to the hilarity.

Enjoy!

You Know You’re a Writer When…

 

 

The Town Mouse and the Country Mouse

After seven long weeks in a small rural island community over the summer, the past week was spent on a quick return trip to the city, ostensibly to attend a friend’s wedding, but also to take care of a hectic round of shopping and errands in preparation for the start of the school year. The experience was so overwhelmingly busy and exhausting that I didn’t even open my laptop, let alone have time to sit and write a blog post. I did have a few ideas, but they were swept from my head as quickly as they settled there (thus the dead air space here.)

 

Illustration of The Town Mouse and The Country Mouse

TOWN MOUSE VERSUS COUNTRY MOUSE

The one idea that has stayed with me throughout is the contrasts, naturally enough, between city and country living, which brought to mind the moral tale of Aesop’s fable, The Town Mouse and the Country Mouse. For those that need a quick refresher, in the original fable, a sophisticated city mouse visits his friend/cousin in the country and partakes of a rustic meal, which is not to his taste. Boastful of the benefits of urban living, he invites his country cousin to the city to enjoy its opulent pleasures, and once there, their sumptuous meal is interrupted by dogs, who give chase. Escaping, the country mouse returns home, concluding that he prefers the peace and security of the country to the stresses of the city. After the past week, I can surely relate.

 

CITY LIFE

My first foray into academic specialization was in fact as an urbanist – I studied urban geography and sociology as an undergraduate. As such, I studied the origin of cities and towns, their patterns of growth, land uses, and the behavior and artifacts of urban dwellers. Clearly it is no surprise that people first came together to live in numbers, and behind walls, for reasons of safety (a reason which is not so true of today’s cities) and of course to conduct commerce (more true than ever), and I suppose for society, although that perhaps was an offshoot of the cities themselves. The more people and activity there was in cities, the more needs for goods and services emerged, as well as the maintenance of infrastructure, and so of course cities also became the place one went in search of employment. Not surprisingly, my undergraduate studies corresponded with my early twenties, and a move from a smaller city to a large city with a university, and a stage of life that was stimulus-seeking. The city had great appeal, both in theoretical and in real senses. I think that the city really is the environment best suited to the stretching, shaping and testing of young minds, not unlike the tempering of iron on a hot forge.

 

Map of Old Florence

Map of Old Florence

DIVERSITY AND CULTURE

As cities emerged, with large concentrations of people, they came to represent not only population density, but population diversity (for of course people came from far and wide, and cities have always been magnets for immigration, where newcomers to a country can always find like-others to support them and their transition to a new place.) People brought with them their various ways, including skills, food, language, music, religions, costumes and culture. And so anyone living in a city was much more likely to be exposed to this diversity and its corresponding excitement as well as the cross-fertilization that results. Large numbers and varieties of people living together and conducting business also leads to new experiences that we associate with urban living today: fine dining, great shopping and the arts (music, theatre, galleries, museums, educational opportunities, culture, and of course the political life that urban living of necessity engenders). These things become objects and industries in themselves which are self-perpetuating, leading to the kinds of innovation that we associate with cities.

 

GROWING OLD ALONE

Skipping over a career as an architect, the next opportunity I had to think deeply about city life versus country life came in my iteration as a Gerontologist, during which time I had the chance to design and teach a graduate class in Rural Aging. Despite decades of urbanization, there are and will always be some people who live in rural and agrarian settings. And eventually these people grow old and frail. In brief, the two principal challenges of growing old in a rural setting are transportation and isolation. For these reasons, housing options for older people are better when they are clustered and closer to services and supports. Around the same time I was inspired by some of research being done by some Dutch colleagues that involved surveying and layered mapping (via GPS) of self-selecting (by choice or default) aging populations in city neighbourhoods, appropriate housing, services, and nodes and pathways, both concrete and imagined. I was unsuccessful at that time in securing funding to replicate that research in a Canadian context, but I was a great believer at that time that growing older in a supportive community-integrated (as opposed to a segregated designed institutional) setting was the way to go. I guess I still do.

 

Super Mom illustrationSUPER-MOM, ANYONE?

The two roles I’ve adopted since those days that affect my views on urban versus rural living are important ones: that of parent and of writer. Interestingly, in retrospect (as I now have a teenager) I think raising children in a rural or small town setting makes much more sense. Not only is it less expensive, but the two aspects of parenting in the city that loomed large in my experience were Programming and Chauffeuring, both of which are related to the real and perceived risks (as well as the real or perceived opportunities) of modern urban living. Both of which suck up a great deal of time, energy and resources. And despite the enviable way that some mythical parents seem to do their job, my life never afforded the time, energy or inclination to partake of those benefits of the city, such as fine dining, fashionable shopping or engaging in arts and culture, for myself or my child.

 

For me, as I think it does for most, family life revolved around mac and cheese and chicken fingers, soccer and piano lessons, and suburban mall outlets like Gap, Old Navy and The Bay, from which a never-ending succession of shorts and shoes and socks in larger and larger sizes must be procured. The few times my husband and I attempted to hang on to our previous, child-free, yuppie lifestyle, by finding and paying for an expensive babysitter and attending the symphony or theatre, and going to a nice restaurant, we invariably talked wistfully about our son all evening and fell asleep halfway through the performance. Why not just embrace the fact of your stage of life and make it easier on everyone? Forget about fashion, fine dining and fine art for a few years and give yourself a break. Let the kids climb trees and run barefoot in a field, let them have rabbits, and don’t even think about the spit up or spaghetti sauce on your smock. Everyone will be much happier and healthier, trust me.

 

George Bernard Shaw and his writing shack

George Bernard Shaw in his writing shack

PEACE AND SOLITUDE

As a writer, of course there are some benefits to urban living, such as education, support groups and writers’ conferences, but really most of these benefits can be realized on-line these days, and in fact most of them are (except conferences, but then why not take a trip once or twice a year?) The things that busy urban life do NOT provide very well are peace and solitude: two things that writers need in large measure. This is likely why writers have traditionally taken retreats, or rented seaside cottages or secluded cabins in the woods. So they can actually get the writing done!

As we head into the last week of summer vacation, and I’m back in the country, I almost dread the ultimate return to the city for the start of the school year. This summer hasn’t been a very productive one for me as a writer (other than blogging), as there have been other, more pressing issues, such as my health, to deal with. But still I can imagine how much I could get done if only I could stay. I can almost see myself going for solitary rural walks, watching the trees turn colours overhead, and breathing the bracing fresh country air as I prepare for long fall days bent over the computer, fire crackling, funneling my creative energy into my writing and editing.

image of an old typewriter in a meadow

ASIDE: In my meanderings I found this lovely essay by Tom Hanks in the NYT Sunday Review about his love and obsession with typewriters. Read it and smile, and tell me you don’t want to run out and buy an old typewriter.

BALANCING THE BEST OF BOTH WORLDS?

Instead, I’ll be heading back to the hectic, highly scheduled, socially demanding, time-gobbling, over-stimulating urban environment that always seems to act in opposition to those things that best serve my writing. Peace and solitude. I’m wondering if there is a way to have the best of both. Of somehow enjoying the best that the city has to offer, and still hanging on to the lifestyle that nurtures and supports my energy, my health and my writing. As I grow older, I think that there may in fact be benefits to growing older in the country. At a certain age we have accumulated enough experiences, have tempered our inner steel sufficiently, and have tired of the stimulation. In other words, we’ve been there, done that. Now it’s time for rest and reflection. Attributes that serve the writer well. But of course, one cannot reflect upon that which one has not experienced. So a time for every season, as they say.

 

Being a late bloomer in so many ways, by the time I have the freedom to retire to the country to pursue the quiet, solitary lifestyle of a (rural) writer, I’ll be too old and feeble to drive a car or carry my groceries, and then I’ll have to start looking for a supportive urban neighbourhood to make my elder years tolerable.

So what are you? A town mouse or a country mouse, and why? What stage of life are you in and what about your environment makes that better or worse? And finally, do you own a typewriter?

 

Half-Blood Blues: Book Review

AUTHOR ESI EDUGYAN

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Earlier this month I had the pleasure of meeting Esi Edugyan, the author of Scotiabank Giller Prize winning Half-Blood Blues at the Denman Island Readers and Writers Festival, and to hear her read excerpts from her latest novel. At that time I had only just begun reading it, and as of last night, I am done. When we spoke, I asked her about the used of dialect in her book, which is populated by a mix of jazz musicians hailing from Baltimore, Chicago, New Orleans, Montreal, Germany and France. The use of the Baltimore”black” vernacular of narrator and protagonist Sidney Griffiths, in particular, as well as his motley crew of compatriots, is important because it contributes greatly to both the development of character, as well as to distinguish between one and another, and also plays a critical role in painting the mood and experience of that time and place: World War II Berlin and Paris. Several of the books reviewers, and several of the commenters at the conference, referred to the rhythm and tone of the language, and how it animated the story and lent it the musicality and feeling of the jazz music of the era. While I don’t disagree with this, and I very much enjoyed the language of the novel, this was not my main focus.

USE OF DIALECT IN FICTION

photo

Click to learn more

As a writer, I was principally interested in how she had researched the dialects she used, and how, as a writer she had decided how much, and which elements, of vocabulary and syntax she decided to use and which to leave out. This is what I asked her about. She answered that she had sourced and listened to recordings of spoken word by contemporary jazz musicians, including Louis Armstrong who is a minor character featured in this novel. She also said she had to use a lot of discretion to find the right balance between illuminating character and culture, and keeping the language clear enough to not alienate or confuse readers.

I dealt extensively with this problem in one of my own books (The Aviary) which features a Canadian woman in Yorkshire, who is surrounded by characters who all have an accent of one kind or another (to her ear), and finds herself quite challenged by the famously difficult Yorkshire dialect. I have received a fair bit of feedback from editors and beta readers about this at various stages, and made many changes to try to find the right balance.

Esi agreed, stating that she believes it was the extensive use of dialect that initially made the novel difficult to sell, and she did make changes accordingly in response to her editor’s feedback. Certainly there are many examples of excellent novels that use dialect to varying degrees. I find it hard to believe that so many readers find it so impenetrable as to limit an author’s creative freedom (unless you happen to be Peter Carey, but even he gets flack, apparently). The sound of language is so important to one’s experience of a story, I would think those in the business, and those who love to immerse themselves in a good story, would be more flexible and tolerant, and willing to do that tiny bit of extra work that it takes to become familiar enough to overcome any initial challenges. But apparently not. Or not often enough for publishers to take the risk.

CHARACTER, EGO, AMBITION, FRIENDSHIP AND VALUES

As a reader, I have to say the element of this story I found most compelling was the flawed main character and narrator, Sidney Griffiths, himself. Sidney is a sensitive guy with big dreams, too sensitive we and he think, for some of the company he keeps, including his life long friend and companion Chip Jones, a hard edges, big mouthed and often crude character whose friends seem to tolerate him because he’s sometimes funny and also a great drummer. Too sensitive, we also think, when Sidney’s disappointments, sense of betrayal, and lurking mistrust of others ends up alienating him from them. It is his own frailty as a human being that ends up doing him the most harm, as he lashes out and behaves in less than admirable ways simply because of his own frustrated ambition, or desire. Sidney, however, and I have to think Esi did this quite consciously, seems a bit more ordinary that the other characters in the book. He is neither an eccentric nor a genius, nor terribly damaged, as it turns out, neither a coward nor a hero. It is this very ordinariness that makes him sympathetic, and helps us to step in his shoes as he and his friends are tossed about by the winds of fate.

Without spoiling the story for those who haven’t yet read it, I will only say that it raises several questions for me, such as: When should we acknowledge that our youthful dreams of greatness will never be realized? Perhaps we haven’t been given the talent, the determination or the luck to make it happen. Is it more important to do a thing exceptionally well, or to do a thing because it brings you joy? Is any sacrifice or choice justifiable in the pursuit of excellence? Of success? Even when it hurts others? When our life is over, will we value our accomplishments more, or the people with whom we shared the journey, for better or worse?

EXCELLENCE VERSUS JOY

Near the end of the novel, there is an exchange between Chip and Sid about whether and why they continued playing the jazz music throughout their lives. Sidney says, “It was supposed to be this joyful music. And I just couldn’t find none of that joy in it no more.” And Chip’s reply is interesting. He says, “I don’t understand that at all…The music is the joy. That’s how you find it again. By playing.”

In some ways, it seems to me that Sid deprived himself of the joyful music because of the pain and sense of loss and guilt he suffers, because of other decisions and actions he made in his life.

What do you think? Is it more important to do a thing exceptionally well, or to do a thing because it brings you joy?

For the Love of Animals

KILLER IS ON DECK

We awoke this morning to find a scrawled note stuffed under the gate that separates the upper from the lower floors of our summer house. An advance warning, it read: “KILLER IS ON DECK”.

note: Killer is on the Deck, M A Clarke Scott, Writer, Blog post

Beware!

I’M PISSED

I’m sure there are plenty of people out there who would say I was crazy, but I spent the last couple of days dealing with the fallout of one of my cats, Zu, having pissed on the futon sofa at our cottage. Usually (here and at home) it’s on one of the beds. This is not something she does often, but often enough that we have resigned ourselves to covering the beds with a plastic sheet after they are made in the mornings. I have washed enough duvets and mattress covers to last two lifetimes! This new challenge was far worse. When I discovered her “faux pas” I groaned. Would we even be able to save it?

IMG_0806After an initial spray and scrub in the evening, the next day I peeled off the futon’s cotton cover and put it through the wash, then dragged the futon out onto the deck. After some discussion about which cleaners might be most effective, my sister suggested using her new steam cleaner. I thought this was a brilliant idea, as the hot steam would hopefully sterilize, deodorize and annihilate the residual cat piss that had soaked into the fluffy cotton filling. Well, that was the theory, anyway.

I steamed that spot for quite a long while, until all I could smell was clean wet cotton, and then left the futon to dry in the hot, hot sun all afternoon. Unfortunately, though it dried quickly, I felt I could still discern a slight odor. Very slight. Maybe it’s just in my head. But, rather than write off the futon, we replaced the clean cover and put it on upside down, so as to avoid a repeat performance if she detected a familiar smell.

IMG_0804

FELINE PSYCHOLOGY

Not that that is what motivates her. You see, she’s just a little temperamental. Certain things seem to upset her. Sometimes it’s the presence of a strange cat, which there has been a lot of lately. In the first instance, we are sharing the house with family, and although they have separate ‘zones’ our cats and their cousins are aware of each other and have occasional tense encounters. Secondly, there is a neighbour cat with some boundary issues, who insists on climbing the wisteria trellis and invading our house. She just seems to want to visit, but she’s surprisingly stubborn when we chase her away, and returns with fair frequency. If we use any of the usual “feline territorial” behaviors to scare her away, such as hissing, she turns and attacks quite aggressively. Thus her nickname: “Killer Cat” (ref. above note).

But what set Zu off this time was the arrival of my husband, whom she adores, who came to join us for the week. She got fairly excited, one would deduce. She has “issues” with suitcases, and “comings and goings.” These seem to be what sets her off the most, as we’ve had episodes before and after family holidays and business trips in the past. The rest of the time, she’s a lovely, affectionate, mellow cat, who is fairly needy as far as attention goes. She wakes us in the morning with a paw on the face, harasses us playfully if we oversleep, talks a blue streak through the day just to let us know what she’s thinking, and is always game for a hug and a kiss. Okay, a bit of a Prima Donna, really. But she loves us (we have proof!) And we all love her and her sister dearly. We would never for a moment consider getting rid of her.

A LIFETIME COMMITMENT

And yet I know there are plenty of people out there who wouldn’t hesitate to do so. Therefore, there are hundreds and thousands of abandoned pets in our communities, large numbers of whom have to be put down regularly because of abuse or space shortages, often for no greater crime than that they became an inconvenience for their humans. (Speaking of Prima Donnas) And trust me when I say that having a cat pee on your bed is INCONVENIENT. Still. She’s family. When I adopt an animal and bring it home, that’s it. I’m committed for life, no matter what happens. For richer for poorer, in sickness and in health, etc. etc. ’til death do us part. It breaks my heart to see those animals with no homes, no  families and no hope. I want to adopt them all, but of course, we’ve got our hands full.

And I just want to point out that as a designer and an artist, I’m not immune to the appeal of a beautifully appointed home. I love good design, excellent craftsmanship and a well-appointed room as well as the next person. This is one of those things that I’ve just decided to accept. I chalk it up to the virtue “Renunciation” (See my previous post: Living with Chronic Pain). Although I think it’s supposed to refer to renunciation of sensuality, I toss everything to do with the material world into this same basket.

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Zu’s sister Patches. We can’t leave her out!

I adopted my first cat when I was just four years old. My sister (the same one) was walking me home from the local playground, down a little lane. And there, on a humble lean-to, was a sign that said “Free Kittens.” Inside, on a bed of hay, was a mother cat and her litter. A short time later we were heading home, a new black and white pibald kitten tucked into my sister’s shirt. We named her Alexandra, after the street where we found her, beginning a lifelong tradition of naming cats after streets (except for Zu and her sister Patches, but we had a 3-year old then) and a lifelong love affair with cats.

 

IRREPLACEABLE COMPANIONS

Portrait of Zu, photo credit, A Clarke Scott

I cannot imagine a house without a cat. It just wouldn’t be a home. I’ve always had at least one through most of my life, and find that I enjoy their company often more than humans. My cats greet me, delight me and make me feel loved and important no matter what else is happening in my life. They understand intuitively what I need. They entertain me when I’m bored or lonely, comfort me when I’m ill or stressed, console me when I’m sad. They understand, and they know just how to be there and exactly what to offer to make everything better. And it’s not just your imagination. There is now scientific evidence that shows that cats are good for your health. You’d be hard pressed to say that about most people. Or furniture. So, I’ll take the bad with the good. It’s an easy trade-off in my world.