Dare I Do NaNoWriMo?

COMMITMENT PHOBIA

crest-bda7b7a6e1b57bb9fb8ce9772b8faafbRight off the top, National Novel Writing Month sounds like a really bad idea for a person as commitment phobic as me.

For readers who aren’t familiar, NaNoWriMo is “National Novel Writing Month, shortened as NaNoWriMo (na-noh-ry-moh), … “an annual internet-based creative writing project that takes place every November. NaNoWriMo challenges participants to write 50,000 words of a new novel between November 1 and 30.” For more information read the rest of the Wikipedia definition here, or go to the NaNoWriMo site.

But since my writing’s been totally off the rails for quite awhile now, what with dealing with getting my house ready for the market, suffering from unexpected chronic pain and disability, dealing with the consequenses of menopause-induced brain fog (more on that in a later post,) shooting off exploring screenwriting, film-making and other, largely unrelated employment opportunities over the last couple of years, I’m thinking this might, in a counterintuitive sort of way, be A GOOD THING, as Martha says.

writing, handwriting

 

 

 

 

 

A bit of focus, you know?

NOTHING TO LOSE

Well before anyone starts shouting, ‘Hell Yeah, go for it!!’ I’ll just say I’ve already registered. I’ve never had trouble cranking out words before, but then again I’ve never committed to writing 50,000 new words in a month. But since my buddies at the RWA-GVC are doing it en masse, I figure I’ll jump on the coffee-trolley and see what happens. The worst case scenario is that I write no more than I’ve been writing lately, which is a big fat ZERO. Absolutely nothing to lose, right? My situation can’t get any worse, and the beauty of NaNoWriMo is, there really aren’t any consequences. (Except shame.)

PLANNING THE NOVEL BEFORE I BEGIN

The problem now is, I’m definitely NOT a “pantser” as we say in the biz. In other words I’m not one of those writers who can just sit down at the computer and start banging out words without any concern for what the novel is about or where it’s going. (The very thought of it makes me catatonic!). Which means that I have to decide WHAT I’m going to spend the month of November writing and do a little preparation. And since everything I’m working on (in a figurative, if not a literal sense) is either in revision, nearly complete, or a screenplay, I’m not sure what to choose.

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Option A: To take my rough, incomplete outline for an interactive STEAMPUNK novel about a time-travelling jeweller and write through just one storyline. (Basically the interactive novel requires three “forks” in the story, something like gaming narrative, or “Choose Your Own Adventure” stories, where the reader makes a decision for the protagonist about where the story goes next, requiring a total of 12 different endings for the same storym, making it rather complicated.) But since I’m somewhat stuck on that, it makes me nervous. On the other hand…

 

Option B: To take the seed of an idea for one of my future novels and just go for it. Some of these are a bit better thought through than others. Whichever one I choose would fit into a potential “series” with one of my already completed novels. The possibilities include:

downtown eastside lane, b&w imagea) a story about an ambitious and uptight lawyer trying to rise above her family’s shame and a passionately dedicated social worker dealing with kids on the street, and greedy developers and corrupt city officials interfering with approvals for construction of a youth shelter, who teaches her to take risks, let down her hair and believe in causes again.

red car, crashedb) a story about a vain, hardened lawyer with a secret past whose glamourous life is shattered along with her face and her pelvis in a serious car accident, and who must rebuild herself inside and out while working through physiotherapy, with the help of a selfless contractor whose estranged wife’s street life as an addict doesn’t make his job as a father any easier.

Italian villa on a lakec) a story about an Art History doctoral student doing thesis research in Florence who meets an Italian architect and gets drawn into his shabby-chic aristocratic family’s troubles, deciding to help them keep their run-down ancestral villa out of the clutches of a crazy-rich egomaniacal American rock star who wants to renovate it beyond recognition and destroy centuries of cultural history in the process.

Okay so that’s it. Tough choice, eh?

If you read this and want to vote, leave a comment and tell me which story you think I should write for NaNoWriMo and give me a couple of reasons why (or not). Depending on public opinion, it might make it easier for me to choose. And wish me luck. Thanks!

DOES THE AUTUMNAL EQUINOX SIGNAL A TIME OF PRODUCTIVITY?

A TIME FOR EVERY SEASON

There’s something about this time of year.
I always anticipate that it’s going to hit at the beginning of September with the start of the school year but I’m usually wrong. There is always a month of readjustment and settling in. It’s not until now, at the equinox, that I really feel it –   a surge of both mental and physical energy and a desire to regroup, reorganize, make lists of goals. It’s all left-brain activity.

256px-Tree_branch_fall_leaves_lake_reflection_-_West_Virginia_-_ForestWander

The start of a new school year was always exciting to me. Everything came alive and was new. New books and shoes, haircuts and spectacles. New classes, teachers, friends and adventures. The unrelenting green of summer suddenly bursts into a rainbow of colour. The air is crisp and clean and stirs our blood along with the falling leaves.

SEASONS EFFECT OUR ENERGY AND OUR MOOD

This got me thinking about the seasons and how they affect our mood, our energy, and our productivity. Certainly this is true for me and I think it may in some ways be an environmental or a  physiological change. But it’s also something that’s deeply entrenched in our way of life and in our culture. It’s something that stems from history and is part of our evolutionary story.
Even amongst our prehistoric ancestors the end of summer was a time of social gathering and relaxation. This would be followed by a busy time in preparation for the winter months ahead. There would likely have been a frenzied time of hunting, gathering and preservation before the cold winter months forced us into our sedentary and enclosed hibernation, when the cave painting, basket weaving, song singing and storytelling would take place.
Perhaps it’s the storyteller in me that feels the need to get organized in preparation for this busy time.

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MIDWINTER FEASTING AND CELEBRATIONS

We have a desire to accomplish a great deal in a short time, after which we know we will be rewarded with the midwinter festivities, another time of rest, social engagement and feasting. This is followed, for me anyway, by a bit of a low ebb. January is a time to reflect on the holiday season and establish new benchmarks for the beginning of the new year. But before we take action we need to contemplate while we’re undecorated the Christmas trees and sweeping up the needles and putting away the trappings of the festive season for another year. January has traditionally been a month of recovery, reflection and rest, perhaps partly because I celebrate my birthday at the end of January. I don’t switch into it a new mode until until then.

A TIME OF INTROSPECTION AND CREATIVITY

Then around the last week in January or the beginning of February I feel a burst of energy. But this time it’s one that’s in harmony with the solitary, pensive, creative nature of the season, and is typically when I start a new project.
This burst of energy continues and the sustained until Winter  gives way to the new life and energy of spring draws us outside and into the action. The frenzy of the summer season is upon us and we succumb  to the nomadic urge to move to the Summer camp, to mate, to plant our seeds and nurture our crops in preparation for the fall harvest once again.

Some people don’t like change and resist it, but I love it and crave it. I don’t live by the clock but the turn of the seasons, nature’s measured march of time from one activity and ritual and festival to the next always inspires and energizes me.

How about you? What is your favourite season? Do your peaks and valleys of both physical and mental energy correspond to the seasons?

Fire in the Belly

Every once in a while I read a book, see a movie, or gaze on a work of art that just rocks my world and reminds me why I’m alive and who I am.

The Firebird book cover, Susanna Kearsley author, CONVERGENCE

I had one of those moments recently while reading Susanna Kearsley’s latest novel, The Firebird. Something about the convergence of art, history, love and war, connection, and mysterious paranormal phenomena that hint at the unknowable potential of the human mind and our place in the universe, as well as Susanna’s beautifully rendered prose and expert storytelling create that experience for me – like a punch in the gut. Or, more like a flaring of that fire in the belly that drives me to create.

HUMANITY

Something resonates to remind me  what I care about, what I believe I’m capable of and why I have always had a persistent, unexplainable desire to create something that reflects upon our fundamental humanity and resonates and connects. A reminder of our common humanity, and something deeper and more mysterious about our interior lives as opposed to our day to day existence which is in so many ways petty and superficial, and raises us up above the banal, pragmatic aspect of our existence. I think this is why art, architecture, music and literature and in some way history, which removes us from the particular and reminds us or gives us some perspective on the general human condition, has this effect on me.

Still image from short animated film "more"MORE

This line of thinking reminded me of a powerful, award winning, academy-nominated short animated film that I saw when I was doing an intensive screenwriting course at the Vancouver Film School, called “More” made by filmmaker Mark Osborne in 1998.

I wanted to share it, and I managed to find it and link it here. Although the ending is ironic, I can’t help relating to this poor idealistic schmuck and his burning desire to create something “more”, something beautiful that clearly everyone in his dull, monochromatic world desires. And despite the ending, I can’t help believing if more humans acted on that urge, the cumulative effect would render the world an even more colourful, blissful place.

 

Do you know what I’m talking about? Do you have that feeling? What are the things that inspire you and make the fire in your belly flare?

The Town Mouse and the Country Mouse

After seven long weeks in a small rural island community over the summer, the past week was spent on a quick return trip to the city, ostensibly to attend a friend’s wedding, but also to take care of a hectic round of shopping and errands in preparation for the start of the school year. The experience was so overwhelmingly busy and exhausting that I didn’t even open my laptop, let alone have time to sit and write a blog post. I did have a few ideas, but they were swept from my head as quickly as they settled there (thus the dead air space here.)

 

Illustration of The Town Mouse and The Country Mouse

TOWN MOUSE VERSUS COUNTRY MOUSE

The one idea that has stayed with me throughout is the contrasts, naturally enough, between city and country living, which brought to mind the moral tale of Aesop’s fable, The Town Mouse and the Country Mouse. For those that need a quick refresher, in the original fable, a sophisticated city mouse visits his friend/cousin in the country and partakes of a rustic meal, which is not to his taste. Boastful of the benefits of urban living, he invites his country cousin to the city to enjoy its opulent pleasures, and once there, their sumptuous meal is interrupted by dogs, who give chase. Escaping, the country mouse returns home, concluding that he prefers the peace and security of the country to the stresses of the city. After the past week, I can surely relate.

 

CITY LIFE

My first foray into academic specialization was in fact as an urbanist – I studied urban geography and sociology as an undergraduate. As such, I studied the origin of cities and towns, their patterns of growth, land uses, and the behavior and artifacts of urban dwellers. Clearly it is no surprise that people first came together to live in numbers, and behind walls, for reasons of safety (a reason which is not so true of today’s cities) and of course to conduct commerce (more true than ever), and I suppose for society, although that perhaps was an offshoot of the cities themselves. The more people and activity there was in cities, the more needs for goods and services emerged, as well as the maintenance of infrastructure, and so of course cities also became the place one went in search of employment. Not surprisingly, my undergraduate studies corresponded with my early twenties, and a move from a smaller city to a large city with a university, and a stage of life that was stimulus-seeking. The city had great appeal, both in theoretical and in real senses. I think that the city really is the environment best suited to the stretching, shaping and testing of young minds, not unlike the tempering of iron on a hot forge.

 

Map of Old Florence

Map of Old Florence

DIVERSITY AND CULTURE

As cities emerged, with large concentrations of people, they came to represent not only population density, but population diversity (for of course people came from far and wide, and cities have always been magnets for immigration, where newcomers to a country can always find like-others to support them and their transition to a new place.) People brought with them their various ways, including skills, food, language, music, religions, costumes and culture. And so anyone living in a city was much more likely to be exposed to this diversity and its corresponding excitement as well as the cross-fertilization that results. Large numbers and varieties of people living together and conducting business also leads to new experiences that we associate with urban living today: fine dining, great shopping and the arts (music, theatre, galleries, museums, educational opportunities, culture, and of course the political life that urban living of necessity engenders). These things become objects and industries in themselves which are self-perpetuating, leading to the kinds of innovation that we associate with cities.

 

GROWING OLD ALONE

Skipping over a career as an architect, the next opportunity I had to think deeply about city life versus country life came in my iteration as a Gerontologist, during which time I had the chance to design and teach a graduate class in Rural Aging. Despite decades of urbanization, there are and will always be some people who live in rural and agrarian settings. And eventually these people grow old and frail. In brief, the two principal challenges of growing old in a rural setting are transportation and isolation. For these reasons, housing options for older people are better when they are clustered and closer to services and supports. Around the same time I was inspired by some of research being done by some Dutch colleagues that involved surveying and layered mapping (via GPS) of self-selecting (by choice or default) aging populations in city neighbourhoods, appropriate housing, services, and nodes and pathways, both concrete and imagined. I was unsuccessful at that time in securing funding to replicate that research in a Canadian context, but I was a great believer at that time that growing older in a supportive community-integrated (as opposed to a segregated designed institutional) setting was the way to go. I guess I still do.

 

Super Mom illustrationSUPER-MOM, ANYONE?

The two roles I’ve adopted since those days that affect my views on urban versus rural living are important ones: that of parent and of writer. Interestingly, in retrospect (as I now have a teenager) I think raising children in a rural or small town setting makes much more sense. Not only is it less expensive, but the two aspects of parenting in the city that loomed large in my experience were Programming and Chauffeuring, both of which are related to the real and perceived risks (as well as the real or perceived opportunities) of modern urban living. Both of which suck up a great deal of time, energy and resources. And despite the enviable way that some mythical parents seem to do their job, my life never afforded the time, energy or inclination to partake of those benefits of the city, such as fine dining, fashionable shopping or engaging in arts and culture, for myself or my child.

 

For me, as I think it does for most, family life revolved around mac and cheese and chicken fingers, soccer and piano lessons, and suburban mall outlets like Gap, Old Navy and The Bay, from which a never-ending succession of shorts and shoes and socks in larger and larger sizes must be procured. The few times my husband and I attempted to hang on to our previous, child-free, yuppie lifestyle, by finding and paying for an expensive babysitter and attending the symphony or theatre, and going to a nice restaurant, we invariably talked wistfully about our son all evening and fell asleep halfway through the performance. Why not just embrace the fact of your stage of life and make it easier on everyone? Forget about fashion, fine dining and fine art for a few years and give yourself a break. Let the kids climb trees and run barefoot in a field, let them have rabbits, and don’t even think about the spit up or spaghetti sauce on your smock. Everyone will be much happier and healthier, trust me.

 

George Bernard Shaw and his writing shack

George Bernard Shaw in his writing shack

PEACE AND SOLITUDE

As a writer, of course there are some benefits to urban living, such as education, support groups and writers’ conferences, but really most of these benefits can be realized on-line these days, and in fact most of them are (except conferences, but then why not take a trip once or twice a year?) The things that busy urban life do NOT provide very well are peace and solitude: two things that writers need in large measure. This is likely why writers have traditionally taken retreats, or rented seaside cottages or secluded cabins in the woods. So they can actually get the writing done!

As we head into the last week of summer vacation, and I’m back in the country, I almost dread the ultimate return to the city for the start of the school year. This summer hasn’t been a very productive one for me as a writer (other than blogging), as there have been other, more pressing issues, such as my health, to deal with. But still I can imagine how much I could get done if only I could stay. I can almost see myself going for solitary rural walks, watching the trees turn colours overhead, and breathing the bracing fresh country air as I prepare for long fall days bent over the computer, fire crackling, funneling my creative energy into my writing and editing.

image of an old typewriter in a meadow

ASIDE: In my meanderings I found this lovely essay by Tom Hanks in the NYT Sunday Review about his love and obsession with typewriters. Read it and smile, and tell me you don’t want to run out and buy an old typewriter.

BALANCING THE BEST OF BOTH WORLDS?

Instead, I’ll be heading back to the hectic, highly scheduled, socially demanding, time-gobbling, over-stimulating urban environment that always seems to act in opposition to those things that best serve my writing. Peace and solitude. I’m wondering if there is a way to have the best of both. Of somehow enjoying the best that the city has to offer, and still hanging on to the lifestyle that nurtures and supports my energy, my health and my writing. As I grow older, I think that there may in fact be benefits to growing older in the country. At a certain age we have accumulated enough experiences, have tempered our inner steel sufficiently, and have tired of the stimulation. In other words, we’ve been there, done that. Now it’s time for rest and reflection. Attributes that serve the writer well. But of course, one cannot reflect upon that which one has not experienced. So a time for every season, as they say.

 

Being a late bloomer in so many ways, by the time I have the freedom to retire to the country to pursue the quiet, solitary lifestyle of a (rural) writer, I’ll be too old and feeble to drive a car or carry my groceries, and then I’ll have to start looking for a supportive urban neighbourhood to make my elder years tolerable.

So what are you? A town mouse or a country mouse, and why? What stage of life are you in and what about your environment makes that better or worse? And finally, do you own a typewriter?

 

Corporal versus Cerebral Temptations

Come in, sit down, have a cup of tea. I want to tell you a story.

Truly, I tell you, I’ve been absconded by fairies this past three days, and taken on a fanciful journey. My body aches with fatigue, my head spins, my spirit soars, and my feet have not yet returned to the ground.

2Yesterday I felt I could not write a blogpost, I had nothing to say, I was bored with blogging, I did not care. But I realize that yesterday I was still in thrall, and only today am I able to tell you about it. But quickly before I fall asleep.

ARTIST STUDIOS

This past weekend brought yet another expression of the boundless creativity and rich cultural life that this small, rural island community contains – namely the annual Denman Island Artists Studio Tour. While there are more artists per capital on this small island than just about anywhere else in the country, just twenty or so are featured each year on the tour, and of these I spent part of the weekend visiting but a few.

While there are many talented painters, photographers, potters, sculptors, metal artists and quilters, etc. here, there are just two or three artists who’s medium and offerings stirred my soul and that I want to share with you. Firstly, Studio Angelika, where Angelika Saunders creates “mixed media collage with hand-made papers” as well as sculptural objects and handmade boxes, in a beautiful seaside cottage setting, using a variety of natural and found materials and objects was a revelation.

MAGICAL MIXED MEDIA

CYNTHIA MINDEN IMG_1451-4Angelika’s creativity is boundless, and her sensitivity to colour, texture and composition truly inspiring. On my own artistic journey, I have always been particularly drawn to mixed-media collage and assemblage sculpture.

In Angelika’s hands, fibres and scraps of nature that common mortals would walk past, such as dry twigs and the lacy skeletal remains of leaves, feathers, sea shells, stones and bits of rusty metal, become gems that find their way into her skillful compositions. She generously and enthusiastically demonstrated her paper-making technique when I expressed a particular interest, and I can hardly wait to get my hands on some tools and materials to try my hand at this fascinating craft, not to mention all the things one can do with the paper.

SPIRITUAL PLACE-MAKING

The second studio tour that moved me was Dragonfly Knoll Gallery, home of John Tallerino and Marc Randall who engage, respectively, in assemblage shrines and hand-made books. You’ll soon see the connection.

1 A at 6 highThe entire atmosphere at Dragonfly Knoll is serene and magical. These two spiritual gentlemen have created an entire world around their lovingly hand built home using recycled heritage windows and doors, romantic dormers, embracing porch upheld by gnarled tree trunks, a garden filled with insightfully placed shrines and objects of beauty and spirituality, from gongs made of rusted iron to wire, mesh and glass dragons in flight, to clockwork Steampunk-inspired chicken sculpture. Their studio, made up of several charming”rooms” along this corridor (my old architecture prof Brian MacKay-Lyons would have loved it), was one of the most comfortable, inspiring spaces I’ve ever felt. While I love John’s shrines, I fell in love even more with the place, made up of all these bits of evidence of the mindful, centred and inspired way that John and Marc live. It was Hobbit-like, in some ways, and a place I could imagine easily spending three hundred years, with never a moment bored or restless.

I was also very moved by Marc’s lovingly hand crafted books, with their hand-made papers (see the pattern?), whimsical embossed and hand dyed leather covers, carved and polished wood, and hand stitched bindings. I want to rush right out and take a workshop on hand-made books, and begin this exploratory creative journey myself. Somewhere in the muddled mix of hand-made paper and books, and mixed media collage is my own spirit scratching in its attempt to find expression.

INSPIRED STORYTELLING

What, you might ask, has any of this to do with loss of sleep? Well, in addition to touring artist studios over two days, and having my sensibilities and spirit carried away on a corporal plain, I spent almost every waking hour reading one of the most compelling novels I’ve read in a long time.

FlowersStorm_avoncovers_2nd_web-200x322I inadvertently discovered author Laura Kinsale last week through a Smart Bitches, Trashy Books review, and after sampling Nick Boulton’s delicious voice on samples of her audiobooks, I became intrigued by Laura’s storytelling and downloaded an e-book of Flowers from the Storm. Once I began this amazing, compelling tale, I literally could not put it down. At my age, all-night reading binges are not well-advised, and yet I watched the dawn light creep into my bedroom windows two of the past three nights as I turned page after page after page of this beautiful story.

The hero, Christian Langland, Duke of Jervaulx, suffers a cerebral hemorrhage, and his journey of suffering, madness and recovery, in stark contrast and complement to the spiritual struggle of the pious Quaker heroine, Archimedea Timms, makes this a one-of-a-kind love story.

I found Christian’s handicap with language fascinating, and as he emerges from the fog of his damaged brain, and expresses himself with increasingly complex vocabulary and sentence structure, Maddy and his close friends adjust and simplify their own speech to make themselves understood by him. At the same time, the tempo and rhythm of Laura Kinsale’s prose is deeply affected by this linguistic transformation so that we began to see and feel and breath in the stark, staccato, powerful jumbled poetic word arrangements of the hero, and this begins to feel normal. Better than normal, somehow. No ordinary historical romance this, an absorbing and compelling tale of human suffering and redemption, as well as a deeply moving love story that will stay with me forever.

While on the one hand I want to buy and read everything Laura Kinsale has written, a part of me wants to dwell in Christian and Maddy’s world for a while yet. And I’m left with an even greater dilemma, which is, should I spend my precious hours here on earth reading, writing or pursuing creative and spiritual expression in visual arts? There never seems to be enough time to do it all. And in the end, we still have to sleep.

Tell me what inspires or excites you. Do you have obsessions that keep you up all night? Are you a compulsive reader, or an artist that finds beauty in the ordinary world?