When life takes a different direction than we planned…

Coming About ~ When life takes a different direction than we planned…

This week’s Bublish book bubble is an excerpt that includes part of a family sailing day, when Bruce takes Alexa and the kids out on his beautiful sailboat and temporary home, Belle Étoile (which means Beautiful Star and refers to an old fairy tale involving a quest.) I thought I’d share the intro here as a blog post, since it says a lot about the book, my life, why I write and where my stories come from.

When I write my novels, they are in no real way autobiographical, but I think most authors put bits and pieces of themselves in their story. The things they’ve seen and done, the places they’ve been, the people they’ve known. Sailing on the West Coast of BC (Canada) has always been a big part of my life, as a student, a recent graduate, a newlywed and a wife and mother. We’ve sold our boat now, but weekend and summer sailing trips in Howe Sound, Georgia Strait and among the Gulf Islands formed a big part of my life for many years.

So it’s easy for me to draw on these experiences to inform my novels (and no, I never lost my kid overboard, but no parent sails without entertaining these harrowing thoughts and mentally preparing for them!) Disruption by Design, my most recent release (January 1, 2018) is the first time I’ve used my sailing experience in a book. And more than than, it captures many aspects of living on the West Coast, including marinas, ocean views, old houses and living on the Gulf Islands.

 

 

 

 

 

Daydreaming and Imaginary Friends

In my case, I love travel and adventure because the experience of new places and sights and smells and flavours stimulates my imagination. I can’t really travel or engage in an experience without a part of my mind wandering off and creating imaginary events and people inspired by that moment. Parallel universes are spiralling off in every direction all the time. That’s just the way I’m built. When I was a kid, they called it “daydreaming”. Or “airhead,” LOL.

Fortunately for my readers, and for me, I’ve learned to direct my imaginings in between the covers of books, and learned to find just the right words to describe the movies playing in my head, and how to structure the stories so that they play out in a way that’s entertaining and satisfying– I hope!

While my books are not about me, per se, they are certainly informed by my own life. In my series, Having it All, women who are very committed to their careers struggle in different ways to balance their passion and yearning for authenticity, expression and independence with their need to find love, companionship, family and a sense of belonging. This was for me, and I think for many women of my generation and beyond, a difficult struggle. One that never seems to end. I guess you’d call this a recurring theme in my writing.

Balancing Life and Work, Self and Others

In Disruption by Design, Alexa is a women who is really having a hard time reconciling these different aspects of a woman’s life. She starts out believing that commitment to one arena means sacrifice in another, and gradually learns to find balance and put her own stamp on a life she can truly call her own.

This scene falls close to the midpoint of the story, and represents a change of direction for Alexa, who’s just quit her job, for Bruce, who must come to terms with his self-worth, for their relationship, which moves to a new place, and for the book as a whole, as the plot, tone and setting make a radical change at this point.

A Change of Direction

This excerpt ends with the words, “Coming About!”

In sailing terms, this means changing direction, via a tack or as Wikipedia defines it:

“Tacking or coming about is a sailing maneuver by which a sailing vessel, whose desired course is into the wind, turns its bow toward the wind so that the direction from which the wind blows changes from one side to the other, allowing progress in the desired direction.”

In common usage, it also means “to come to pass, to happen.”

It seems to me in both cases to suggest forward progress and change, whether in a sailboat or a person’s life. Originally I intended the book to be titled Coming About. Later I thought it was rather too common a phrase to grab attention, but it still encapsulates the idea of the book, or really any story about any character who is at a turning point, a crossroads in their life where choices must be made about future directions. Where one leaves the past behind and boldly heads off in a new direction.

That’s a lot for two little words to mean, but that’s half the fun of writing. Playing with words and their meanings, trying to convey complex or deep ideas with the the right choices and arrangements.

I think my love of the written word has surely got to be one of the reasons I write. Why I learned to write in the first place, and continue to love the process as much as the product. It can be hard at times. Often an idea, image or feeling that we experience emerges from imagination or memory and their are no words that immediately come to mind to capture or express it. That’s the part of writing that’s hard work, and the reason you so often find writers sitting and staring out the window.

To read the Book Bubble excerpt, go to my Bublish page. Scroll to the second version of Disruption by Design and look for the latest #bookbubble.

Are you a sailor? Have you ever been on a sailboat? And are you drawn to either familiar or exotic new experiences in the fiction that you read? Leave a comment below and let me know!

My One-Bag European Capsule Wardrobe

Travelling Light

As you may know, I love to travel. This summer I spent just over three weeks in Europe with my family, sightseeing and visiting friends. Early on, we decided we were going to travel light, and take one carry-on size suitcase each. No checked bags allowed.

Before I left, I spent more time than I ever had planning and preparing my wardrobe to ensure this was both possible and successful. I consulted stylish and well-travelled friends, and I researched others’ capsule wardrobes on Pinterest, creating a board full of inspiration and ideas. Check it out here if you want to see what others have done, and what kind of looks I favour (Hint: I’m not a formal dresser.) (Scroll down past the men with beards to see what I mean)

I tried to use as many pieces from my existing wardrobe as possible. The idea wasn’t to spend a fortune to make this work. Once I got going, however, I found there were a few key pieces that I needed to acquire. In the end these included: a new pair of stretchy skinny jeans, two scarves, a thigh-length cotton cardigan, two summer sundresses, a sleeveless cotton shirt, new sneakers and new sandals. I got most pieces on sale however, so it wasn’t a huge outlay of cash. I also love the pieces and continue to use them now that I’m home.

The List

The final capsule included only fifteen pieces (yes, 15!) not counting shoes and necessities. These included:

M A Clarke Scott Author capsule wardrobe jeans and jean jacket5 Bottoms, 6 Tops, 2 Dresses &2 Layers:

Skinny jeans

Black leggings

Thin ecru chinos

Black dress shorts (worn only once)

White t-shirt

Grey striped t-shirt

Blue t-shirt

Black camisole

Sleeveless floral blouse

Sleeveless tunic length shirt

Long-sleeve white t-shirt

Red, white and blue mini-print floral sleeveless sundress

Blue with white floral pattern sleeveless sundress

Black and white striped cotton cardigan

Jean jacket

Shoes:

White Keds

White sandals

Red ballet flats

 

Necessities

Pyjamas

7 pair undies

Toiletries

 

 

 

Accessories:

Light grey scarf with white polka dots

Mixed blue, red, white, yellow abstract large scarf

Navy cotton belt

Sunglasses

Handbag (blue and tan)

Tote (blue)

Mini-umbrella (pink & white)

Swimsuit (never used)

 

Sample Photos

M A Clarke Scott Author Capsule wardrobe Jean Jacket with Scarf

M A Clarke Scott Author Capsule wardrobe cardigan with leggings

M A Clarke Scott Author Capsule wardrobe Chinos with cardigan and t-shirt

M A Clarke Scott Author Capsule wardrobe blouse with jean jacket

 

 

 

 

 

 

 

 

 

 

M A Clarke Scott Author Capsule wardrobe blouse with shorts

M A Clarke Scott Author Capsule wardrobe sleeveless blouse and leggingsM A Clarke Scott Author Capsule wardrobe t-shirt, cardigan, scarf and leggingsM A Clarke Scott Author Capsule wardrobe sundress and cardigan

 

 

 

 

 

 

 

 

 

 

As you can see from the photos, typical outfits included:

jeans, t-shirt with jean jacket and scarf – Keds

sundress with jacket and scarf – sandals or flats

leggings and shirt with cardigan – Keds

chinos with blouse – Keds

 

M A Clarke Scott Author Capsule wardrobe sleeveless blouse and chinos

M A Clarke Scott Author Capsule wardrobe blouse with leggings

M A Clarke Scott Author Capsule wardrobe leggings with cardigan and t-shirt

M A Clarke Scott Author Capsule wardrobe sundress with scarf

 

 

 

 

 

 

 

 

 

 

Most importantly, I always knew what to put together to make an ensemble because it was preplanned. I had something both comfortable and appropriate for every occasion, from travel to museum days, to walking to dinners out. I had to go all day without a change of clothes, most days, and transitioned to restaurants without a problem. I had to do a small laundry wash only twice in over three weeks. And I rarely wore exactly the same combination twice, so I was never bored with my choices.

“Your dress is lovely, Madame.”

 

M A Clarke Scott Author Capsule wardrobe Jean Jacket with Sundress & Scarf

One of the smartest pieces of advice given to me beforehand by a well-seasoned traveller friend (Thanks Natasha. Mwah!) was that, however casually we dress here on the West Coast of Canada, with our yoga gear, shorts and fleece, this simply wouldn’t cut it in the cosmopolitan cities of London and Paris. Instead, she suggested sundresses for warm summer days.

I took this advice (thus the new purchases) and these were some of my favourite ensembles. With sandals or flats, optional sweater or jacket, and a scarf in my bag in case I got chilly, I felt like the best-dressed tourist around. I was cooler than I would have been in shorts (after all, there’s not much under a sundress and you can catch a breeze by the River Seine. Even better, I felt more like a stylish local than a tourist when dressed like this. I even got stopped by a well-dressed woman while touring the Ste. Chapelle cathedral on the Ile-de-la-Cite in Paris, to have my lovely floral sundress complimented (en Francais, bien sur.) Trust me when I say that this was an unprecedented event in my life.

 

Stylish and Practical

M A Clarke Scott Author Capsule wardrobe pink umbrella, leggings with cardigan and t-shirt

A second recommendation was to skip the rain jacket in favour of a super-light, compact umbrella in a light summer colour. I chose a pale pink-and-white flowered one from The Umbrella Shop in Vancouver, cheerful, affordable, durable and guaranteed for life. This I could carry on iffy days and whip out for a shower, then tuck away. It also doubled as a parasol when caught standing in line in the hot sun at the Louvre museum.

Everything did indeed fit into one bag, including shoes and toiletries. The ease of movement, speed and convenience of not having to wait around for checked baggage was a pure delight. (Cue visual: flight attendant striding jauntily across the airport concourse with scarf flying behind, and the attendant big grin of a sophisticated world traveller.) Aside from our main overseas flight, we took a short flight across the English Channel, as well as two long-distance train rides and numerous Tube, Metro and city bus rides to and fro. There were also elevators and staircases, doorways and foyers that were breezed through painlessly. I highly recommend taking this extra effort to prepare for travelling light. I’m obviously a convert and will never again over-pack and suffer from too much baggage and wardrobe indecision while travelling.

 

Have You Tried This?

I hope you enjoyed this recap of my travelling capsule wardrobe experiment. If you’ve ever packed a capsule wardrobe for a trip, comment below and tell me how it went. Do you have any tricks or tips to share?

 

Kindle Scout Campaign

By the way, since returning home, I’ve been hard at work completing my forthcoming new novel, Disruption by Design. It’s spending the next month on Kindle Scout. Click here to check it out and if you like it, please Nominate it. And then share the link with other avid readers, too.

Thank you!

 

I Promised Italian Food! Here’s the First Course!

Cherry Almond Biscotti

The Art of Enchantment book coverI promised you food  as part of my All-Italian blog week to celebrate the launch of The Art of Enchantment. And I woke up this morning with a serious craving for biscotti.

When I want biscotti, my go-to recipe is always by Christine Cushing. No need to re-invent the wheel here. If you are a biscotti fan, this is the BEST!

Lately I’ve seen a trend in coffee shops to monster-sized biscotti of strangely ubiquitous consistency and no discernible flavor. Be careful not to break your teeth.

This is not that.

The recipe is quick and easy. I laid out my ingredients first, since I just moved this week and I wanted to know that I could find everything. There are other versions, with hazelnuts, chocolate or whatever you like best, but today I wanted dried cherries and almonds. In my opinion, the secret ingredient that makes these cookies so good is the grape seed oil. Don’t substitute anything else for that. And don’t leave out the lemon zest or anise because the flavor is so Italy.

ingredients for cherry almond biscotti recipe

Basically I mix up the dry ingredients in one bowl, blend up the wet ingredients in the mixer, stir them together and presto!

Then I pour/drop/shape the sticky dough into two long, rather narrow logs on buttered parchment. Bake for about 20 minutes. It gets quite golden brown, but it’s still a bit soft inside.

cherry almond biscotti after first baking

 

After the first-baked slabs cool for fifteen minutes, slice on the diagonal into 3/4″ slices, lay them on their sides and bake again until crispy and dry. Yum. You can dip them in your caffe latte if you like them soft, but they are just as delicious eaten straight off the pan all by themselves. Buon appetito!

 

 

Recipe

1 1/2 cups and 2 tbsp. all purpose flour (405ml)

2 tsp baking powder (10 ml)

1 tsp ground anise seed (5 ml)

pinch salt

grated zest of 2 lemons

1 cup sugar (250 ml)

1/3 cup grape seed oil (75 ml)

3 eggs

1 cup toasted whole almonds, skin on (250 ml)

1/2 cup dried cherries, coarsely chopped (125 ml)

butter, for brushing baking tray

Directions:

  1. Preheat oven to 325 degrees F
  2. Line a large baking sheet with parchment. Brush with butter.
  3. Sift flour, baking powder, ground anise and salt into a medium bowl. Add almonds and cherries.
  4. In another bowl, add lemon zest, sugar, oil and eggs. Whisk or mix until smooth. Add the egg mixture to the flour mixture. Stir with a wooden spoon and blend well.
  5. Divide dough in half and shape each into a cylinder (roughly 12 x 2 inches). Dough will be sticky so use a little oil on hands or spatula to shape dough. Arrange the cylinders on baking sheet, leaving at least 3 inches – they will spread out as they bake.
  6. Bake for 30 to 35 mutes or until golden and firm. Remove from oven and let stand for 15 minutes before cutting to keep shape. With a large spatula carefully scrape cylinders off tray and transfer to a cutting board. Carefully slice crosswise on the diagonal with a serrated edge knife (in one full cut) into 1/2-inch slices. Put slices back onto the baking sheet, laying flat and not overlapping. Bake a second time (again at 325 degrees F.) for 20 more minutes or until golden brown and crisp. Makes about 40 cookies.

Note: I used my new convection oven for the first time, so I adjusted the times down about 5 minutes per stage.

Let me know if you try the recipe and if you agree they are the best biscotti ever.

I hope you make yourself a nice coffee, sit down with a biscotti or two turn on your soundtrack and settle in to a good read, once you pick up your copy of my new release, The Art of Enchantment, on special this week for only .99. Ciao!

Fairy Tales as Real Life Lessons for Women

Forging a Better Version of Yourself Through Fairy Tales: Lessons for Women

Clarissa Pinkola Estes, in her seminal 1992 book of fairy tales, Women Who Run with the Wolves, says of stories: “In a very real way, we are imprinted with knowing just by listening to the tale.” (p.387)

 

Women Who Run with the Wolves

 

Participation mystique: Just like living it

 

Termed “participation mystique” by Jungian psychologists, this notion has more recently been scientifically proven by brain researchers. Your brain really can’t tell the difference between experiences you live through and those you read about someone else living through, even if fictional.  Here’s an article in The Atlantic about it. And another in Science.Mic.

 

For a person like me who makes stuff up for a living, and loves fiction more than life, this is incredibly validating.

 

Thus we can read stories and fairy tales to expand our experience. The lessons we learn through fiction are real and applicable to the lives we are leading. This is the very purpose of myth. To pass along the wisdom of the ages. To learn from our “elders.”

 

In this book, Women Who Run with the Wolves, there is a particular story – a dark fairy tale – that Estes believes “deals with most of the key journeys of a woman’s psyche.” It’s one that seems to have particular relevance to women, such as myself, who wake up one day in mid-life and wonder: What happened? How did I get here? Has this happened to you, too? Do you wonder about the choices you made, the lies you told yourself, the sacrifices and compromises that marriage and motherhood and life seem to have demanded of you? Do you look in the mirror and ask: Who am I?

 

Do you look in the mirror and ask: Who am I?

 

The story’s called, “The Handless Maiden.” By reading, and slowly absorbing, this tale, we can experience, vicariously–through “sympathetic magic”– the transformations the character experiences over her entire lifetime. That’s a lot of wisdom to help you with your own life stage challenges.

 

Did You Sign Away Your Self? Time to Toughen Up, Ladies

 

There is no way to compress all of Estes wisdom into a brief blog post, but I’ll try to highlight the key points. Likely I’m doing her careful arguments a great disservice, but this is meant as an introduction only. Hopefully if this intrigues you you will seek out and read the book, if you haven’t already. Estes suggests taking quite a long time to read the story. Maybe even months. This  time is necessary because the lessons of the tale are very, very deep in a woman’s psyche, and you can’t just shake a stick at these parts of yourself and expect understanding, or change.

 

These deep lessons take place in a female psychic underworld, where we learn knowledge and language from the “Great Wild Mother” who wants to toughen us up to prepare us for life in the topside world of everyday. But we have to go down there to receive these lessons. Way, way down there.

 

Preparation for real life

 

In the tale, a series of tests and lessons must be mastered, each requiring a cycle of loss, sacrifice and enlightenment representing “women’s lifelong initiation into the renewal of the wild.”

 

Synopsis: The Handless Maiden

The tale, in brief synopsis: A man unwittingly sells his daughter to the devil in exchange for riches. She is too pure for the devil to claim, even after her hands are severed. She leaves home to become a beggar. A spirit guides her to a magical orchard, owned by a compassionate king, who falls in love and marries her. He builds her silver hands. She has a baby. The king goes away to war, and the devil interferes again, twisting messages, until the king’s mother is forced to send the queen away for safety rather than kill her. She is taken in by woods people and lives happily for seven years, and slowly her hands grow back. The king returns and seeks her out in the woods, and they live happily ever after.

 

The Stages:

  1. The bargain without knowing = The end of innocence.  (What poor bargain did you make?) Everywoman gives up her deep self knowledge and power for a more frail self. We trade our wild selves for the promise of riches, but the reward is hollow. We choose superficial riches and gives up dominion over some part of our passionate, creative and instinctive life. We become a sleep-walker, yet this is a necessary step on our journey. A catalyst. The father who guides us is ignorant of the connection between the inner and the outer worlds. Things are not what they appear to be.
  2. The (symbolic) dismemberment, or separation from false life/innocence
  3. The wandering (foraging for fruit symbolic of feminine strength)
  4. Finding love in the underworld (she is rescued, but not yet whole)
  5. Harrowing of the Soul (a time of healing, a shamanistic initiation during which she rediscovers her creative inner strength)
  6. The realm of the Wild Woman (return to society as a fully empowered, adult woman bringing gifts of knowledge, maturity and fertility.)
art by Jeanie Tomanek http://www.jeanietomanek.com illustrating stages in a women's journey via the fairy tale The Handless Maiden

art by Jeanie Tomanek http://www.jeanietomanek.com

For a terrifically written, thoughtful and more thorough analysis of this and other fairy tales, as well as art inspired by them, visit my new favorite link, the extremely awesome Terri Windling’s Blog, Myth & Moor.

“The trials these wounded young heroes encounter illustrate the process of transformation: from youth to adulthood, from victim to hero, from a maimed state to wholeness, from passivity to action. Fairy tales are… maps through the woods, trails of stones to mark the path, marks carved into trees to let us know that other women and men have been this way before.”

Windling concludes her analysis by saying: “Likewise, we’re not meant to remain in the circle of enchantment deep in the fairy tale forest — we’re meant to come back out again, bringing our hard-won knowledge and fortune with us…in service to the family (old or new), the realm, the community; to children and the future.”

 

Inspiration for Writing and Life

 

A better source of inspiration for writing women’s fiction I can’t imagine. One of my novels, a work-in-progress entitled “Coming About,” is a more intentional exploration of a woman’s journey through various stages of this process of metaphysical maturation and self-discovery. It’s about a woman who values her professional success as an architect over her selfhood as a woman. At the beginning, she has figuratively sold her soul to the devil by having an affair with her boss, and must lose everything she values and go on a spiritual retreat to learn how to integrate her inner and outer worlds.

This journey also serves as a metaphor for a writer’s life. What are we, as storytellers, doing, besides entertaining our readers, if not bringing our life’s journey to bear on stories that are a product of our creative imagination. For what purpose? To share them with our community, and our children. As I said earlier, this is the very purpose of myth – and of story. To pass along the wisdom of the ages.

If you’re a writer, have you applied this framework of the heroine’s journey to your writing? And whether you are or not, does this fairy tale speak to you in terms of your own life journey?

 

The Town Mouse and the Country Mouse

After seven long weeks in a small rural island community over the summer, the past week was spent on a quick return trip to the city, ostensibly to attend a friend’s wedding, but also to take care of a hectic round of shopping and errands in preparation for the start of the school year. The experience was so overwhelmingly busy and exhausting that I didn’t even open my laptop, let alone have time to sit and write a blog post. I did have a few ideas, but they were swept from my head as quickly as they settled there (thus the dead air space here.)

 

Illustration of The Town Mouse and The Country Mouse

TOWN MOUSE VERSUS COUNTRY MOUSE

The one idea that has stayed with me throughout is the contrasts, naturally enough, between city and country living, which brought to mind the moral tale of Aesop’s fable, The Town Mouse and the Country Mouse. For those that need a quick refresher, in the original fable, a sophisticated city mouse visits his friend/cousin in the country and partakes of a rustic meal, which is not to his taste. Boastful of the benefits of urban living, he invites his country cousin to the city to enjoy its opulent pleasures, and once there, their sumptuous meal is interrupted by dogs, who give chase. Escaping, the country mouse returns home, concluding that he prefers the peace and security of the country to the stresses of the city. After the past week, I can surely relate.

 

CITY LIFE

My first foray into academic specialization was in fact as an urbanist – I studied urban geography and sociology as an undergraduate. As such, I studied the origin of cities and towns, their patterns of growth, land uses, and the behavior and artifacts of urban dwellers. Clearly it is no surprise that people first came together to live in numbers, and behind walls, for reasons of safety (a reason which is not so true of today’s cities) and of course to conduct commerce (more true than ever), and I suppose for society, although that perhaps was an offshoot of the cities themselves. The more people and activity there was in cities, the more needs for goods and services emerged, as well as the maintenance of infrastructure, and so of course cities also became the place one went in search of employment. Not surprisingly, my undergraduate studies corresponded with my early twenties, and a move from a smaller city to a large city with a university, and a stage of life that was stimulus-seeking. The city had great appeal, both in theoretical and in real senses. I think that the city really is the environment best suited to the stretching, shaping and testing of young minds, not unlike the tempering of iron on a hot forge.

 

Map of Old Florence

Map of Old Florence

DIVERSITY AND CULTURE

As cities emerged, with large concentrations of people, they came to represent not only population density, but population diversity (for of course people came from far and wide, and cities have always been magnets for immigration, where newcomers to a country can always find like-others to support them and their transition to a new place.) People brought with them their various ways, including skills, food, language, music, religions, costumes and culture. And so anyone living in a city was much more likely to be exposed to this diversity and its corresponding excitement as well as the cross-fertilization that results. Large numbers and varieties of people living together and conducting business also leads to new experiences that we associate with urban living today: fine dining, great shopping and the arts (music, theatre, galleries, museums, educational opportunities, culture, and of course the political life that urban living of necessity engenders). These things become objects and industries in themselves which are self-perpetuating, leading to the kinds of innovation that we associate with cities.

 

GROWING OLD ALONE

Skipping over a career as an architect, the next opportunity I had to think deeply about city life versus country life came in my iteration as a Gerontologist, during which time I had the chance to design and teach a graduate class in Rural Aging. Despite decades of urbanization, there are and will always be some people who live in rural and agrarian settings. And eventually these people grow old and frail. In brief, the two principal challenges of growing old in a rural setting are transportation and isolation. For these reasons, housing options for older people are better when they are clustered and closer to services and supports. Around the same time I was inspired by some of research being done by some Dutch colleagues that involved surveying and layered mapping (via GPS) of self-selecting (by choice or default) aging populations in city neighbourhoods, appropriate housing, services, and nodes and pathways, both concrete and imagined. I was unsuccessful at that time in securing funding to replicate that research in a Canadian context, but I was a great believer at that time that growing older in a supportive community-integrated (as opposed to a segregated designed institutional) setting was the way to go. I guess I still do.

 

Super Mom illustrationSUPER-MOM, ANYONE?

The two roles I’ve adopted since those days that affect my views on urban versus rural living are important ones: that of parent and of writer. Interestingly, in retrospect (as I now have a teenager) I think raising children in a rural or small town setting makes much more sense. Not only is it less expensive, but the two aspects of parenting in the city that loomed large in my experience were Programming and Chauffeuring, both of which are related to the real and perceived risks (as well as the real or perceived opportunities) of modern urban living. Both of which suck up a great deal of time, energy and resources. And despite the enviable way that some mythical parents seem to do their job, my life never afforded the time, energy or inclination to partake of those benefits of the city, such as fine dining, fashionable shopping or engaging in arts and culture, for myself or my child.

 

For me, as I think it does for most, family life revolved around mac and cheese and chicken fingers, soccer and piano lessons, and suburban mall outlets like Gap, Old Navy and The Bay, from which a never-ending succession of shorts and shoes and socks in larger and larger sizes must be procured. The few times my husband and I attempted to hang on to our previous, child-free, yuppie lifestyle, by finding and paying for an expensive babysitter and attending the symphony or theatre, and going to a nice restaurant, we invariably talked wistfully about our son all evening and fell asleep halfway through the performance. Why not just embrace the fact of your stage of life and make it easier on everyone? Forget about fashion, fine dining and fine art for a few years and give yourself a break. Let the kids climb trees and run barefoot in a field, let them have rabbits, and don’t even think about the spit up or spaghetti sauce on your smock. Everyone will be much happier and healthier, trust me.

 

George Bernard Shaw and his writing shack

George Bernard Shaw in his writing shack

PEACE AND SOLITUDE

As a writer, of course there are some benefits to urban living, such as education, support groups and writers’ conferences, but really most of these benefits can be realized on-line these days, and in fact most of them are (except conferences, but then why not take a trip once or twice a year?) The things that busy urban life do NOT provide very well are peace and solitude: two things that writers need in large measure. This is likely why writers have traditionally taken retreats, or rented seaside cottages or secluded cabins in the woods. So they can actually get the writing done!

As we head into the last week of summer vacation, and I’m back in the country, I almost dread the ultimate return to the city for the start of the school year. This summer hasn’t been a very productive one for me as a writer (other than blogging), as there have been other, more pressing issues, such as my health, to deal with. But still I can imagine how much I could get done if only I could stay. I can almost see myself going for solitary rural walks, watching the trees turn colours overhead, and breathing the bracing fresh country air as I prepare for long fall days bent over the computer, fire crackling, funneling my creative energy into my writing and editing.

image of an old typewriter in a meadow

ASIDE: In my meanderings I found this lovely essay by Tom Hanks in the NYT Sunday Review about his love and obsession with typewriters. Read it and smile, and tell me you don’t want to run out and buy an old typewriter.

BALANCING THE BEST OF BOTH WORLDS?

Instead, I’ll be heading back to the hectic, highly scheduled, socially demanding, time-gobbling, over-stimulating urban environment that always seems to act in opposition to those things that best serve my writing. Peace and solitude. I’m wondering if there is a way to have the best of both. Of somehow enjoying the best that the city has to offer, and still hanging on to the lifestyle that nurtures and supports my energy, my health and my writing. As I grow older, I think that there may in fact be benefits to growing older in the country. At a certain age we have accumulated enough experiences, have tempered our inner steel sufficiently, and have tired of the stimulation. In other words, we’ve been there, done that. Now it’s time for rest and reflection. Attributes that serve the writer well. But of course, one cannot reflect upon that which one has not experienced. So a time for every season, as they say.

 

Being a late bloomer in so many ways, by the time I have the freedom to retire to the country to pursue the quiet, solitary lifestyle of a (rural) writer, I’ll be too old and feeble to drive a car or carry my groceries, and then I’ll have to start looking for a supportive urban neighbourhood to make my elder years tolerable.

So what are you? A town mouse or a country mouse, and why? What stage of life are you in and what about your environment makes that better or worse? And finally, do you own a typewriter?

 

Corporal versus Cerebral Temptations

Come in, sit down, have a cup of tea. I want to tell you a story.

Truly, I tell you, I’ve been absconded by fairies this past three days, and taken on a fanciful journey. My body aches with fatigue, my head spins, my spirit soars, and my feet have not yet returned to the ground.

2Yesterday I felt I could not write a blogpost, I had nothing to say, I was bored with blogging, I did not care. But I realize that yesterday I was still in thrall, and only today am I able to tell you about it. But quickly before I fall asleep.

ARTIST STUDIOS

This past weekend brought yet another expression of the boundless creativity and rich cultural life that this small, rural island community contains – namely the annual Denman Island Artists Studio Tour. While there are more artists per capital on this small island than just about anywhere else in the country, just twenty or so are featured each year on the tour, and of these I spent part of the weekend visiting but a few.

While there are many talented painters, photographers, potters, sculptors, metal artists and quilters, etc. here, there are just two or three artists who’s medium and offerings stirred my soul and that I want to share with you. Firstly, Studio Angelika, where Angelika Saunders creates “mixed media collage with hand-made papers” as well as sculptural objects and handmade boxes, in a beautiful seaside cottage setting, using a variety of natural and found materials and objects was a revelation.

MAGICAL MIXED MEDIA

CYNTHIA MINDEN IMG_1451-4Angelika’s creativity is boundless, and her sensitivity to colour, texture and composition truly inspiring. On my own artistic journey, I have always been particularly drawn to mixed-media collage and assemblage sculpture.

In Angelika’s hands, fibres and scraps of nature that common mortals would walk past, such as dry twigs and the lacy skeletal remains of leaves, feathers, sea shells, stones and bits of rusty metal, become gems that find their way into her skillful compositions. She generously and enthusiastically demonstrated her paper-making technique when I expressed a particular interest, and I can hardly wait to get my hands on some tools and materials to try my hand at this fascinating craft, not to mention all the things one can do with the paper.

SPIRITUAL PLACE-MAKING

The second studio tour that moved me was Dragonfly Knoll Gallery, home of John Tallerino and Marc Randall who engage, respectively, in assemblage shrines and hand-made books. You’ll soon see the connection.

1 A at 6 highThe entire atmosphere at Dragonfly Knoll is serene and magical. These two spiritual gentlemen have created an entire world around their lovingly hand built home using recycled heritage windows and doors, romantic dormers, embracing porch upheld by gnarled tree trunks, a garden filled with insightfully placed shrines and objects of beauty and spirituality, from gongs made of rusted iron to wire, mesh and glass dragons in flight, to clockwork Steampunk-inspired chicken sculpture. Their studio, made up of several charming”rooms” along this corridor (my old architecture prof Brian MacKay-Lyons would have loved it), was one of the most comfortable, inspiring spaces I’ve ever felt. While I love John’s shrines, I fell in love even more with the place, made up of all these bits of evidence of the mindful, centred and inspired way that John and Marc live. It was Hobbit-like, in some ways, and a place I could imagine easily spending three hundred years, with never a moment bored or restless.

I was also very moved by Marc’s lovingly hand crafted books, with their hand-made papers (see the pattern?), whimsical embossed and hand dyed leather covers, carved and polished wood, and hand stitched bindings. I want to rush right out and take a workshop on hand-made books, and begin this exploratory creative journey myself. Somewhere in the muddled mix of hand-made paper and books, and mixed media collage is my own spirit scratching in its attempt to find expression.

INSPIRED STORYTELLING

What, you might ask, has any of this to do with loss of sleep? Well, in addition to touring artist studios over two days, and having my sensibilities and spirit carried away on a corporal plain, I spent almost every waking hour reading one of the most compelling novels I’ve read in a long time.

FlowersStorm_avoncovers_2nd_web-200x322I inadvertently discovered author Laura Kinsale last week through a Smart Bitches, Trashy Books review, and after sampling Nick Boulton’s delicious voice on samples of her audiobooks, I became intrigued by Laura’s storytelling and downloaded an e-book of Flowers from the Storm. Once I began this amazing, compelling tale, I literally could not put it down. At my age, all-night reading binges are not well-advised, and yet I watched the dawn light creep into my bedroom windows two of the past three nights as I turned page after page after page of this beautiful story.

The hero, Christian Langland, Duke of Jervaulx, suffers a cerebral hemorrhage, and his journey of suffering, madness and recovery, in stark contrast and complement to the spiritual struggle of the pious Quaker heroine, Archimedea Timms, makes this a one-of-a-kind love story.

I found Christian’s handicap with language fascinating, and as he emerges from the fog of his damaged brain, and expresses himself with increasingly complex vocabulary and sentence structure, Maddy and his close friends adjust and simplify their own speech to make themselves understood by him. At the same time, the tempo and rhythm of Laura Kinsale’s prose is deeply affected by this linguistic transformation so that we began to see and feel and breath in the stark, staccato, powerful jumbled poetic word arrangements of the hero, and this begins to feel normal. Better than normal, somehow. No ordinary historical romance this, an absorbing and compelling tale of human suffering and redemption, as well as a deeply moving love story that will stay with me forever.

While on the one hand I want to buy and read everything Laura Kinsale has written, a part of me wants to dwell in Christian and Maddy’s world for a while yet. And I’m left with an even greater dilemma, which is, should I spend my precious hours here on earth reading, writing or pursuing creative and spiritual expression in visual arts? There never seems to be enough time to do it all. And in the end, we still have to sleep.

Tell me what inspires or excites you. Do you have obsessions that keep you up all night? Are you a compulsive reader, or an artist that finds beauty in the ordinary world?