women’s fiction

by

NVCL/NSWA Writing with Writers Workshop – North Vancouver City Library, February 7, 2018

NVCL/NSWA Writing with Writers Workshop –

North Vancouver City Library, February 7, 2018 7:00 – 8:30pm

 

I’ll be teaching a writing workshop on Romance writing to the public in February, jointly sponsored by the North Shore City Library and the North Shore Writers’ Association. Perfectly timed for Valentine’s Day. Here’s the promotional blurb:

Romance Writing: The Power of that Dynamic Allure

Presented by Mary Ann Clarke Scott

 

Have you ever wondered how romance fiction differs from other genres? Or what’s going on in a romance novel besides kissing? Have you ever wondered if you could be the next Nora Roberts? Then this workshop is for you.

 

Chatelaine Grand Prize winner and NSWA member, Mary Ann Clarke Scott, will guide us through the writer’s contract with the reader. We’ll examine the roles of the Heroine and Hero in this character dominant genre, and look at the internal emotional character arcs.

 

Bring pen and paper, or laptop, and be prepared to join in, as Mary Ann Clarke Scott, challenges, educates, and inspires the amorous spirit in all of us.

 

 

Come out for an evening of hands-on writing instruction and learn some key facts about writing romance and women’s fiction. “Friends of the Library” serve wine, and it’s a great opportunity to meet me in person, and to buy print copies of my books. I’ll even sign yours if you do!

 

 

 

by

COVER REVEAL: RECONCILABLE DIFFERENCES

Reconcilable Differences cover

The final new book cover

 

RECONCILABLE DIFFERENCES: BEARING SCARS

Finally Reconcilable Differences is ready for publication. As I’ve mentioned elsewhere, this is a book that was originally written over ten years ago. For all the revisions, it will always carry the scars of having been my first, and because of that, the vehicle for my learning curve as a writer.

 

In some ways, this seems appropriate for a book that’s about exactly that.  A woman, Kate O’Day, who carries the emotional and psychic scars of a long-ago sexual assault, and the emotional trauma of dealing with and healing from that over many years. Kate, like her story, has been in a long iterative process of revision, learning and rebirth.

 

I’m so happy to be able to share Kate’s story with you at last. It’s an important story, and as one reviewer said, “we get to ride along on this harrowing journey without getting too beat up along the way.” Reconcilable Differences explores how sexual assault can lead to repressed memories, PTSD, and compromised self-esteem that has deep and lasting impact on a woman and her ability to form lasting and intimate relationships.

 

I felt it was important to explore these subtler psychological dimensions, since they are rarely discussed, in the context of growing awareness of rape culture, and how it supports, prolongs and institutionalizes the oppression of women for the duration of their lives.

 

 

A HOPEFUL STORY OF HEALING & SELF LOVE

 

But this is not meant to be a dark or a radical book. My goal had always been to tell a love story. A sensitive and intimate exploration of one woman’s journey toward self-knowledge, self-acceptance and love. Although Reconcilable Differences isn’t a classic romance, it is a love story, as Kate navigates the reawakening of a love she lost long ago, along with her own sense of self.

 

It’s ultimately an optimistic story that hopefully resonates with readers, allowing insight into the inner life of a woman searching for identity, fulfillment, balance and love. In that regard, it speaks to us all.

 

HAVING IT ALL

 

Regardless of your personal experience, everywoman’s life shares certain common threads. Despite changes over generations, and from place to place, women have always had to struggle to find their place in society. No matter what choices you are given, or what decisions you make, there are always options, always consequences, always disappointments. I don’t think this feeling is particular to my generation, but I do feel that my own life is a reflection of this truth, and so I write with insight and authority on subjects that have touched me personally.

 

The Having It All series of novels is my way of exploring modern women’s lives as they try to integrate the particular circumstances of their families of origin and personal experiences with perpetually conflicting goals. How do we balance freedom with security, self-expression, identity and autonomy with love, family and belonging? As we variously lean in and try to participate fully in the world, we also need to keep a finger on the pulse of our inner lives to ensure that we don’t sell ourselves short. True empowerment means living fully in our own essence, and having the freedom to make and live with our choices without regret.

 

WHY YOU SHOULD READ THIS BOOK?

 

This is a good moment to reflect on why I wrote this story, and why I believe you should read it. Women’s Fiction encompasses the woman’s journey no matter where or when or how she lives, and by donning the mantle, and walking in the shoes, of characters that are like, but different from ourselves, we learn. We become sensitized to the particular challenges women face, and we can apply those lessons to our own lives, hopefully for the better. We learn about the world, we learn about ourselves, and we learn about each other.
We are all on a journey, and honest compelling storytelling has always been an important way for us to broaden, deepen and strengthen ourselves for the road. I hope you join me on this journey and both read and enjoy Reconcilable Differences. There are more stories where this one came from!

 

FOLLOW ME, SUBSCRIBE, SIGN UP, SHARE, BUY THE BOOK & WRITE A REVIEW

These are all the ways you can help me with the business side of being an author. The more help I get with this stuff, the more time I can spend writing new stories to share with you.

by

RECONCILABLE DIFFERENCES BOOK LAUNCH

2978305256_6041f65aa6IT’S PARTY TIME!

Reconcilable Differences Book Launch

The timing couldn’t be better for Tuesday’s Women’s Fiction online FaceBook Book Launch Party hosted by the Women’s Fiction Writer’s Association.

 

I’m thrilled to be one of eight authors with new releases scheduled to participate on the WFWA Facebook page on Tuesday, August 16th **Noon – 4pm EDT** (That’s 9am – 1pm PDT for us West Coasters!)

Here’s the line up:

12:00 Kerry Lonsdale – Everything We Keep

12:30 Ella Joy Olsen – Root, Petal, Thorn

1:00 Tracy Stopler – The Ropes That Bind

1:30 Crystal Klimavicz – This Side of Perfect

2:00 Susan Schild – Sweet Carolina Morning

2:30 Kathy Nickerson – Rose Hill Cottage

3:00 Louise Miller – The City Baker’s Guide to Country Living

And at 3:30 Yours truly, answering questions and talking about my debut release – Reconcilable Differences. I hope you’ll come and join in the conversation.

 

via GIPHY

ANOTHER HALF A YEAR OF PREPARATION

 

After a roller coaster ride of preparation, setbacks and leaps forward during the first half of 2016, I’m excited to have this book ready for release this week.

 

My last post focused on my experimental Kindle Scout campaign. To sum up that experience, I learned a lot, worked like mad to get the word out, using a few platforms I hadn’t before, such as Headtalker and networking through Kindleboards, but sadly it wasn’t nearly enough to garner a publishing deal with Amazon.

 

A lot of speculation goes on behind the scenes trying to figure out what works and what doesn’t. Only Amazon knows. But clearly having a pre-existing following, or a book with a hook, will help to generate popularity, which in the end does matter. Nevertheless it was a valuable experience that will help with the marketing of Reconcilable Differences now and in the future.

 

PUBLISHING IS MORE THAN WRITING

 

via GIPHY

So much more has happened this year. I received critique and beta reader feedback, which let to a penultimate round of revisions. More than I was planning to do, but I think it’s a better book for having taken the extra time and effort.

 

I also embarked on the process of having a professionally designed cover. After a couple of false starts, and a few wasted month faffing around, I connected with the talented Gabrielle Prendergast, author of Audacious and other YA novels, and also brilliant book cover designer. I’m so happy with my new cover for Reconcilable Differences and the style and theme of the entire Having It All series of WF novels. It makes me want to get cracking and finish the second in the series, Coming About.

 

I’m also so lucky to have in my circle of supportive writers the multi-talented Crystal Stranaghan and her team at Crystal Clear Solutions designing the book interior. The print book will be ready to go in just a couple more weeks and it’s going to be gorgeous!

 

AUTHORPRENEURSHIP 101

 

This business of being a published author is complicated. These days, no matter how you publish, you have to embrace the role of entrepreneur as well. Even big house published authors are expected to create and maintain an online author profile, and stay active on various social media sites to connect with their audience. Then there is the multitude of book marketing strategies that experts recommend. And without these efforts, your book languishes out there in the ether with millions of other undiscovered titles, making all those years of learning your craft and sweating over the creation of your babies pointless as you’ll never sell any books or have any readers.

 

So in addition to getting my book ready, I’ve been trying to get organized with all these other things. I had an online author profile evaluation, and read some books and a lot of articles. To keep all this straight I created a Mindmap, that I thought would help me visualize and keep track of all the elements. All it did was help me see that I can’t possibly learn and do all these things: website clean up and redesign, email list sign up, Facebook author page, Amazon author page, Goodreads author page, incentives and bonuses, contests and giveaways, reader discussion questions, bios and blurbs, book trailers and author interviews, etcetera, and linking all these things and my social media addresses together so they all work in tandem.

 

Are we having fun yet?EPIPHANY

 

Finally I realized that I don’t have to! I mean if you can do it yourself, go ahead. But for me, it was getting so onerous and stressful that my brain was seizing up. There are so many smart and talented people out there who already know how to do these things that I struggle with. So my big epiphany this last while is that I need help! And in just a couple of weeks I’ve managed to move so much farther and faster with assistance from the right people, including the savvy Amanda Hagarty at Mandy’s Media who’s already been a huge help. And I’m getting there. I really feel that I’m getting there.

 

BECOME A PART OF MY TEAM

 

So let’s not let all this author platform work go to waste! Join my street team by doing one or more of these things right now:

  • Follow me on Goodreads, Facebook, Twitter, Pinterest or Instagram, or all of them? Why not? (Click on the buttons in the sidebar)
  • Sign up for my email list to stay informed about my activities and never miss hearing about giveaways, contests, appearances, promotions and new releases. (Hint: the form is in the sidebar to the right)
  • Follow my blog so you receive notice on Friday to pick up the Amazon link and buy a copy of my book. Then leave a review on Amazon and Goodreads.
  • Share this link with three of your bookish friends!
by

The Turning Point by Freya North – Review

The Turning Point by Freya North book coverThe Turning Point by Freya North – Review

Freya North is one of my favorite authors and I haven’t read a new one in a while. I was thrilled to receive The Turning Point as a Christmas gift and gobbled it up in three days. I was particularly thrilled to discover that the book was set partially in my own back yard, after years of immersing myself in charming English villages, suddenly I was reading Freya’s lilting prose describe the majestic scenery of BC’s coastal mountains. Fascinating. I’ve always had a slightly unsettled reaction to Freya’s unique quirky omniscient narrative voice. It has mellowed over the years, and I felt it suited this story more than any before, making for a compelling, immersive read. It’s hard to say whether the richly developed and complex characters, or the lovingly described and contrasting settings were the more interesting parts of this read, not to mention the ongoing tension and plot twist. I guess I’d have to weigh on the side of characters – Frankie and Scott are beautifully rendered, real and believable, as are their family and friends. Frankie seems to me to have a little of everywoman in her, very empathetic. Scott, on the other hand, is one of the loveliest characters I’ve ever read – somehow managing to be both sexy and spiritual – himself more than any other embodying the rich themes that Freya explores in this compelling tale of love, family and belonging. A very moving book. A cut above.

by

Emotion in Fiction

Well the study junkie’s been at it again. As usual I ‘ve had my head up my (*cough*) in my books, immersed in one topic or another for the past several months, undoubtedly at the expense of my writing. Well, in the short term anyway. In the long term, I hope it all adds up to something even better.

One of my recent distractions, and it’s been a MAJOR distraction, has been screenwriting and film making. But I’ll get to that in another post.

by ambernwest @ WANACOMMONS

by ambernwest @ WANACOMMONS

Most recently, I’ve thrown myself into a new topic, one which I realize is a shortcoming in my own writing – and that is emotion. I entered two of my unpubbed manuscripts into the writing contest of my local RWA chapter, The Judy, and last month discovered that I placed second for one of them. Yay! A prize! This is a rare and beautiful thing in a life so lacking in validation.

What I valued even more than the prize, however, was the detailed scoring and comments of the six judges who read my two entries. The perspectives of experienced writers, many of them published, with fresh eyes on my work, and the generosity to tell me what they think – that is priceless.

So, ironically, it was the comments on the manuscript that did not win that I focussed on first, because this is the manuscript that I earnestly pitched at the National RWA conference in Anaheim this past July. And to my surprise and delight, the one agent and four editors all asked to see it. So of course I hurried home and took a good hard look at it.

One of the things I decided to do was apply Margie Lawson’s Deep Edits technique to at least part of the manuscript to discover if there was something I had overlooked. It’s not that this story hasn’t been revised and edited a thousand times already. It’s pretty tight.

And that brings me back to emotion. What I discovered, over and above the valuable suggestions made by the contest judges, was that, according to Margie’s system what my manuscript lacked was, of all things, emotion. Well, in fact it’s not absent. It’s just not explicit enough for the particular market to which this book aspires.

My reading history is broad and deep and varied, and one of the things I sometimes have trouble doing is adjusting my writing to suit a particular market. So I might be writing a commercial women’s fiction story but use language or voice that’s more suitable to literary fiction. And I’m beginning to see that this just won’t work. I think. Or at least I have to find the balance that’s just right for my story and my “hypothetical” readers – whoever they may be.

So while I believe there’s tons of emotion in my novel, I don’t necessarily make it as obvious or visceral as I probably should to give my target readers the kind of reading experience they are looking for, and are used to. The emotion is situation and character based, and it’s often between the  lines. I know readers are clever, but I’m learning that there’s a pretty powerful effect that certain kinds of language has on the reader’s emotional engagement.  So my current learning curve is all about finding artful ways of engaging my readers in the emotional experiences of my characters.

And the material I have from Margie Lawson is invaluable in helping me to do that. Revisions are underway.

But of course when you cast the net of consciousness you catch all kinds of things. One of these, that kind of fell into my hands last week, was a book entitled The Passional Muse: Exploring Emotion in Stories by psychologist and author Keith Oatley, Professor Emeritus at the University of Toronto. Someone with the same professional background and perspective as Margie Lawson.

While I agree somewhat with the Quill and Quire review of this book, and did have the same difficulty the review discusses engaging in Oatley’s short story, One Another, embedded in the academic text, I still found much of his discussion of the role of emotion in fiction in our developmental experience as fully formed human beings quite fascinating and enlightening.

In any case, it points to the fact that wherever my work fits on the commercial-literary continuum, emotion is such a central part of fiction and the reading experience that I’d better get some clarity about how this ought to be conveyed in my own writing.

by

Women’s Fiction vs. Books

See how good I’m being?

I said I was going to write, and that’s exactly what I’ve been doing. I’m up to about 88,000 words on my WIP Coming About. I’m smack in the middle of writing my climactic scene, in which… no wait. I can’t tell you that. That would ruin the surprise.

At this rate, I might just complete the first draft of this manuscript by the Surrey International Writer’s Conference on October 20-23. I know, more workshops, but I never miss it, and by then it will be a well- deserved break. I registered for three Master Classes this year, and I’ll be pitching. Probably The Aviary again. Maybe I’ll even sell it this year. But I’d be happy enough to start with agent representation.

Back in May, when I pitched to a couple of editors at the Write On Conference of the RWA-Greater Vancouver Chapter, one of the two asked for a full manuscript (not sent yet) and the other talked about how difficult to define Women’s Fiction is, and how important it is for writers of women’s fiction to work with an agent, who can get to know the work and target it to the editors and publishers most likely to appreciate it.

True, true.

On the subject of women’s fiction, I want to note here how much I appreciate Amy Sue Nathan‘s regular women’s fiction writers blog, in which she interviews… wait for it: women’s fiction writers! I have discovered many terrific new books and authors here, expanding my reading list every week, and I particularly appreciate the stories of their journey to publication. Amy asks each of her guests to define women’s fiction, and although there is overlap, each one is unique in its perspective. This week’s guest, Stacey Ballis, author of Good Enough to Eat and soon to be released Off the Menu, said it thus:


“I have always found it interesting that if you are a woman who writes a book with female characters about life and love and relationships and career, it is called Women’s Fiction, and if you are a man who writes a book with female characters about life and love and relationships and career, it is called A Book.”

Hmm. Yeah. Well, nuff said.

In other news, I’m doing my happy dance because– I just got tickets to Sting’s Back to Bass tour in Vancouver December 9th. I haven’t seen him since the Police reunion tour a few years ago. Yay! I’m not really dancing. I’m not much of a dancer. Except in my head. In there, I’m definitely doing my happy dance. ; )

Back to work.